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The Umbrellas of Cherbourg movie poster

The Umbrellas of Cherbourg

PG-13Drama, Romance
Budget$200K
Domestic Box Office$86.1K
Worldwide Box Office$7.6M

Synopsis

16-year-old Genevieve and 20-year-old Guy are very much in love. Her kind mother, who runs an umbrella shop, won't hear of her marrying, particularly as Guy has yet to complete his compulsory military service. Genevieve is heartbroken when he leaves for his army service in colonial Algeria and is upset to have received only one letter from him in two months. Her mother's solution to this situation is kind diamond-merchant Roland Cassard, who has helped them in the past.

Production Budget Analysis

What was the production budget for The Umbrellas of Cherbourg?

Directed by Jacques Demy, with Catherine Deneuve, Nino Castelnuovo, Anne Vernon leading the cast, The Umbrellas of Cherbourg was produced by Parc Film with a confirmed budget of $200,000, placing it in the ultra-low-budget category for drama films.

At $200,000, The Umbrellas of Cherbourg was produced on a lean budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $500,000.

Budget Comparison — Similar Productions

• Strawberry Mansion (2021): Budget $200,000 | Gross N/A • Children of Heaven (1997): Budget $180,000 | Gross $925,402 → ROI: 414% • Chungking Express (1994): Budget $160,000 | Gross N/A • The Wolf House (2018): Budget $245,000 | Gross N/A • High and Low (1963): Budget $250,000 | Gross N/A

Key Budget Allocation Categories

▸ Above-the-Line Talent Drama films live or die on the strength of their performances. Securing award-caliber actors and experienced directors represents the single largest budget line item, often consuming 30–40% of the total production budget.

▸ Location Filming & Period Production Design Authentic locations — whether contemporary or historical — require scouting, permits, travel, lodging, and often significant dressing to match the story's time period. Period dramas add the cost of era-accurate props, vehicles, and set decoration.

▸ Post-Production, Color Grading & Score The editorial process for dramas is typically longer than genre films, with careful attention to pacing and tone. Color grading, a nuanced musical score, and detailed sound mixing are critical to achieving the emotional resonance that defines the genre.

Key Production Personnel

CAST: Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Mireille Perrey, Marc Michel Key roles: Catherine Deneuve as Geneviève Emery; Nino Castelnuovo as Guy Foucher; Anne Vernon as Madame Emery; Mireille Perrey as Tante Élise

DIRECTOR: Jacques Demy CINEMATOGRAPHY: Jean Rabier MUSIC: Michel Legrand EDITING: Monique Teisseire, Anne-Marie Cotret PRODUCTION: Parc Film, Madeleine Films, Beta Film FILMED IN: France, Germany

Box Office Performance

The Umbrellas of Cherbourg earned $86,074 domestically and $7,513,926 internationally, for a worldwide total of $7,600,000. International markets drove the majority of revenue (99%), indicating strong global appeal.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), The Umbrellas of Cherbourg needed approximately $500,000 to break even. The film surpassed this threshold by $7,100,000.

Return on Investment (ROI)

Revenue: $7,600,000 Budget: $200,000 Net: $7,400,000 ROI: 3700.0%

Profitability Assessment

VERDICT: Highly Profitable

The Umbrellas of Cherbourg was a clear financial success, generating $7,600,000 worldwide against a $200,000 production budget — a 3700% ROI. After estimated marketing costs, the film still delivered substantial profit to Parc Film.

INDUSTRY IMPACT

The outsized success of The Umbrellas of Cherbourg likely influenced studio greenlight decisions for similar drama projects.

PRODUCTION NOTES

▸ Production

The English dub was done by Oscar Films.

The English adaptation of the songs was produced by Jacqueline Porel and Bruce Johansen.

The English dub was broadcast several times in the USA, on different channels. So far, the only identified VHS release is a Chinese one (early 90s).

The existence of a 16 mm print proves that there were also cinema releases.

This dub has never been released on DVD.

▸ Music & Score

The continuous music score and the brightly coloured photography had much to do with the popularity of this film. Formally the work is operatic, with the plot advanced entirely through dialogue sung with accompanying music. The colour photography is bright and vivid. The whole is united by an orchestral score of simple rhythms and tunes that are integrated with the story covering five years.

Since the cast were not trained singers, most of the actors' voices were dubbed and lipsynced.

The film score established composer Michel Legrand's reputation in Hollywood. He later scored other films, winning three Oscars. In North America, two of the film's songs became hits and were recorded by many artists: "I Will Wait for You" (the main theme, also known as "Devant le garage") and "Watch What Happens" (originally "Recit de Cassard", "Cassard's Story"). Both were given new English lyrics by lyricist Norman Gimbel.

"Watch What Happens" was covered by artists such as Tony Bennett, Ed Ames, and jazz pianists Oscar Peterson and Vince Guaraldi.

AWARDS & RECOGNITION

Summary: Nominated for 5 Oscars. 6 wins & 7 nominations total

Awards Won: ★ Louis Delluc Prize ★ Palme d'Or

Nominations: ○ Academy Award for Best Writing, Original Screenplay (38th Academy Awards) ○ Academy Award for Best International Feature Film (37th Academy Awards) ○ International Submission to the Academy Awards ○ Academy Award for Best Original Score (38th Academy Awards) ○ Academy Award for Best Score, Adaptation or Treatment (38th Academy Awards)

Additional Recognition: * Prix Louis-Delluc, 1963 * Palme d'Or at the 1964 Cannes Film Festival * Critics' prize for Best Film, by the French Syndicate of Film Critics, 1964 * Nominated for the Academy Award for Best Foreign Language Film at the 37th Academy Awards in 1965 * Nominated for four more Academy Awards at the 38th Academy Awards held in 1966, three for Legrand and Demy: Best Song (for "I Will Wait For You"), Best Original Score, Best Scoring - Adaptation or Treatment, and Best Screenplay Written Directly for the Screen. It did not win any.

CRITICAL RECEPTION

The film was very successful in France, and was also shown internationally, introducing Deneuve to a larger audience. It was nominated for several Academy Awards, including for Best Foreign Film, Best Song, Best Soundtrack, and Best Original Screenplay.

The Umbrellas of Cherbourg was met with critical acclaim and is often regarded as one of the best musical films of all time. On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 97% based on 72 reviews, with an average rating of 8.8/10. The website's critics consensus reads, "Jacques Demy elevates the basic drama of everyday life into a soaring opera full of bittersweet passion and playful charm, featuring a timeless performance from Catherine Deneuve." On Metacritic, it holds a weighted score of 86 out 100, based on 9 reviews indicating "universal acclaim".

In a review for Empire magazine, Kim Newman awarded the film 5/5 stars and praised the "depths of operatic emotion under the hum-along singspiel" delivered by the films leads. Nigel Andrews, writing for the Financial Times awarded the film 4 stars out of 5 calling the film "a body of work slim but exquisitely styled". Kevin Maher for The Times, in a review of a re-release of the film in 2019, also lauded the film, awarding it 5/5 stars. Significant praise has also been directed to the entirely sung through nature of the film, with both James Berardinelli of reelviews and Roger Ebert of the Chicago Sun-Times praising this aspect of the film in their reviews.

Stanley Kauffmann of The New Republic described The Umbrellas of Cherbourg as "tired material".

A restored digital version of Umbrellas of Cherbourg was shown as part of the Cannes Classics section of the 2013 Cannes Film Festival.

Filmmaker Damien Chazelle has listed it as one of his favorite films and a major influence on his 2016 film La La Land. Greta Gerwig cited the film as an inspiration for her 2023 film Barbie.

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