Failing producer Max Bialystock and his accountant, Leo Bloom, scam a group of elderly women out of their nest eggs by convincing them to invest in a horrendously offensive Third Reich-themed musical secretly intended to bomb the moment it opens. But when high-brow Broadway audiences mistakenly assume “Springtime for Hitler” is a satire, Bialystock finds himself with the critical acclaim that has long eluded him — and the biggest hit of his career.