
The Black Phone
Synopsis
Finney Shaw is a shy but clever 13-year-old boy who is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of no use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer's previous victims. And they are dead-set on making sure that what happened to them doesn't happen to Finney.
Production Budget Analysis
What was the production budget for The Black Phone?
Directed by Scott Derrickson, with Mason Thames, Madeleine McGraw, Ethan Hawke leading the cast, The Black Phone was produced by Blumhouse Productions with a confirmed budget of $16,000,000, placing it in the low-budget category for horror films as part of the The Black Phone Collection.
At $16,000,000, The Black Phone was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $40,000,000.
Budget Comparison — Similar Productions
• Nobody (2021): Budget $16,000,000 | Gross $57,512,470 → ROI: 259% • Thelma & Louise (1991): Budget $16,000,000 | Gross $45,361,000 → ROI: 184% • 10 Things I Hate About You (1999): Budget $16,000,000 | Gross $53,478,166 → ROI: 234% • Bones and All (2022): Budget $16,000,000 | Gross $15,234,907 → ROI: -5% • The Princess Bride (1987): Budget $16,000,000 | Gross $30,900,000 → ROI: 93%
Key Budget Allocation Categories
▸ Practical Effects, Prosthetics & Makeup Horror productions invest disproportionately in practical effects — prosthetic applications, animatronics, blood and gore effects, and creature suits. A single hero creature suit can cost $50,000–200,000.
▸ Atmospheric Production Design & Cinematography Creating dread through environment is essential. Abandoned locations must be secured and dressed, lighting rigs designed for shadow and tension, and sets built to enable specific camera movements and reveals.
▸ Sound Design & Score Horror is arguably the most sound-dependent genre. Foley work, ambient textures, frequency manipulation, and jump-scare stingers require specialized sound designers working with unconventional techniques.
Key Production Personnel
CAST: Mason Thames, Madeleine McGraw, Ethan Hawke, Jeremy Davies, E. Roger Mitchell Key roles: Mason Thames as Finney; Madeleine McGraw as Gwen; Ethan Hawke as The Grabber; Jeremy Davies as Terrence
DIRECTOR: Scott Derrickson CINEMATOGRAPHY: Brett Jutkiewicz MUSIC: Mark Korven EDITING: Frédéric Thoraval PRODUCTION: Blumhouse Productions, Crooked Highway, Universal Pictures FILMED IN: United States of America
Box Office Performance
The Black Phone earned $90,123,230 domestically and $71,318,684 internationally, for a worldwide total of $161,441,914. Revenue was split 56% domestic / 44% international.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), The Black Phone needed approximately $40,000,000 to break even. The film surpassed this threshold by $121,441,914.
Return on Investment (ROI)
Revenue: $161,441,914 Budget: $16,000,000 Net: $145,441,914 ROI: 909.0%
Profitability Assessment
VERDICT: Highly Profitable
The Black Phone was a clear financial success, generating $161,441,914 worldwide against a $16,000,000 production budget — a 909% ROI. After estimated marketing costs, the film still delivered substantial profit to Blumhouse Productions.
INDUSTRY IMPACT
Franchise: The Black Phone is part of the The Black Phone Collection.
The outsized success of The Black Phone likely influenced studio greenlight decisions for similar horror projects.
AWARDS & RECOGNITION
Summary: 10 wins & 18 nominations total
Awards Won: ★ Saturn Award for Best Horror Film









































































































































































































































































































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