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Nine Queens movie poster

Nine Queens

RCrime, Thriller, Drama
Budget$1.3M
Domestic Box Office$1.2M
Worldwide Box Office$12.4M

Synopsis

Early one morning, Marcos observes Juan successfully pulling off a bill-changing scam on a cashier, and then getting caught as he attempts to pull the same trick on the next shift. Marcos steps in, claiming to be a policeman, and drags Juan out of the store. Once they are back on the street, Marcos reveals himself to be a fellow swindler with a game of much higher stakes in mind, and he invites Juan to be his partner in crime. A once-in-a-lifetime scheme seemingly falls into their laps - an old-time con man enlists them to sell a forged set of extremely valuable rare stamps, The Nine Queens. The tricky negotiations that ensue bring into the picture a cast of suspicious characters, including Marcos' sister Valeria, their younger brother Federico and a slew of thieves, conmen and pickpockets. As the deceptions mount, it becomes more and more difficult to figure out who is conning whom.

Production Budget Analysis

What was the production budget for Nine Queens?

Directed by Fabián Bielinsky, with Ricardo Darín, Gastón Pauls, Leticia Brédice leading the cast, Nine Queens was produced by Patagonik with a confirmed budget of $1,300,000, placing it in the micro-budget category for crime films.

At $1,300,000, Nine Queens was produced on a lean budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $3,250,000.

Budget Comparison — Similar Productions

• Andrei Rublev (1966): Budget $1,300,000 | Gross $24,173 → ROI: -98% • The Celebration (1998): Budget $1,300,000 | Gross N/A • The Last Picture Show (1971): Budget $1,300,000 | Gross $29,133,000 → ROI: 2141% • Drive My Car (2021): Budget $1,300,000 | Gross $15,356,046 → ROI: 1081% • Mustang (2015): Budget $1,300,000 | Gross $5,300,000 → ROI: 308%

Key Budget Allocation Categories

▸ Talent & Director Compensation Thrillers depend on compelling lead performances to sustain tension, making cast compensation a primary budget concern. Directors with proven thriller credentials command premium fees.

▸ Cinematography & Location Photography Thriller aesthetics demand specific visual languages — surveillance-style photography, claustrophobic framing, or expansive location work across multiple cities or countries.

▸ Editorial & Sound Post-Production Precision editing — controlling information flow, building suspense through pacing, and orchestrating reveals — requires extended post-production schedules.

Key Production Personnel

CAST: Ricardo Darín, Gastón Pauls, Leticia Brédice, Gabo Correa, Pochi Ducasse Key roles: Ricardo Darín as Marcos; Gastón Pauls as Juan; Leticia Brédice as Valéria; Gabo Correa as Convenience Store Manager

DIRECTOR: Fabián Bielinsky CINEMATOGRAPHY: Marcelo Camorino MUSIC: César Lerner EDITING: Sergio Zóttola PRODUCTION: Patagonik, FX Sound, Industrias Audiovisuales Argentinas S.A., J.Z. & Asociados, Kodak Argentina S.A., INCAA, Naya Films SA FILMED IN: Argentina

Box Office Performance

Nine Queens earned $1,222,889 domestically and $11,190,999 internationally, for a worldwide total of $12,413,888. International markets drove the majority of revenue (90%), indicating strong global appeal.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Nine Queens needed approximately $3,250,000 to break even. The film surpassed this threshold by $9,163,888.

Return on Investment (ROI)

Revenue: $12,413,888 Budget: $1,300,000 Net: $11,113,888 ROI: 854.9%

Profitability Assessment

VERDICT: Highly Profitable

Nine Queens was a clear financial success, generating $12,413,888 worldwide against a $1,300,000 production budget — a 855% ROI. After estimated marketing costs, the film still delivered substantial profit to Patagonik.

INDUSTRY IMPACT

The outsized success of Nine Queens likely influenced studio greenlight decisions for similar crime projects.

PRODUCTION NOTES

▸ Filming & Locations

Before filming was scheduled to begin, Bielinsky shot scenes for a week with Pauls, Darín, and a reduced crew as a "warm-up". They then had another week of pre-production before filming. Filming lasted for seven weeks. A steadicam was used for over 30 days, which was expensive for the limited budget available. The film was shot entirely on location, using 35mm film. Most scenes on the streets were filmed using hidden cameras, as the limited budget prevented the extensive amount of extras that were needed, in order not to have bystanders looking at the camera. As the actors were already famous, a small of group of extras was hired to surround them and prevent people from getting close to them. To capture "the veracity of what happens on the street", the crew would film quickly for short stretches of time. Bielinsky aimed for an "absolutely simple, transparent" mise-en-scène, contrasting the complexity of the plot.

Marcelo Salvioli, the film's art director, initially expressed concern for the hotel scenes included in the script, as it would be difficult to find a location that would fit the requirements and that would allow them to use it. The hotel should "not have any nobility, it had to be a new American chain, a place where cheating prevailed". The Hilton Hotel in the neighbourhood of Puerto Madero was coincidentally being built. Producer Pablo Bossi was friends of one of the owners of the hotel and managed to get the location. Filming was often hindered by noises and disorder, as the hotel was under construction, as well as guests and unavailable rooms and spaces. Filming at a bank also brought difficulties, as no banks would let the production film inside. The scene was eventually shot at a former bank on Avenida Corrientes that had gone bankrupt. Its use required a judge's authorization. Three lanes had to be closed for the scene, the gathering crowd was included in the film.

The final scene at the warehouse was filmed twice.

AWARDS & RECOGNITION

Summary: 22 wins & 8 nominations total

Additional Recognition: ! scope="col" | Award ! scope="col" | Date of ceremony ! scope="col" | Category ! scope="col" | Recipient(s) ! scope="col" | Result ! scope="col" class="unsortable" |

! scope="row" | AFI Fest

! scope="row" rowspan="2" | Biarritz International Festival of Latin American Cinema

! scope="row" rowspan="3" | Bogotá Film Festival

! scope="row" | British Independent Film Awards

! scope="row" | Fantasporto

! scope="row" rowspan="2" | Festival du Film Policier de Cognac

! scope="row" | Grande Prêmio do Cinema Brasileiro

! scope="row" | Lima Film Festival

! scope="row" rowspan="2" | Lleida Latin-American Film Festival

! scope="row" rowspan="2" | Mar del Plata International Film Festival

! scope="row" | Oslo Films from the South Festival

! scope="row" | Sant Jordi Awards

! scope="row" rowspan="10" | Silver Condor Awards

CRITICAL RECEPTION

Nine Queens garnered mostly positive reviews from film critics. On review aggregator website Rotten Tomatoes, the film holds a 92% approval rating based on 95 reviews, with an average rating of 7.4/10. The site's consensus reads: "Deliciously twist-filled, Nine Queens is a clever and satisfying crime caper." On Metacritic, the film has a weighted average score of 80/100 based on 30 reviews, indicating "generally favorable reviews".

Roger Ebert, in his review of Nine Queens for the Chicago Sun-Times, gave the film a score of three out of four stars, commending its screenplay and calling the film "an elegant and sly deadpan comedy." Michael Wilmington of the Chicago Tribune awarded the film three-and-a-half out of four stars, and called it "One of the most clever, most enjoyable thrillers in years." Orlando Sentinel film critic Roger Moore gave the film four stars out of five, writing, "the laughs are dark, the puzzle steadily more engrossing and the surprises, just like Heist, are doozies, up to the finale." Edward Guthmann of the San Francisco Chronicle also gave the film a positive review, writing: "Fast-paced and unerringly surprising, Nine Queens is nicely performed by a large cast [...] David Mamet plowed this con-the-con turf in Heist, House of Games and The Spanish Prisoner, but Bielinsky, in his directing debut, makes it seem sassy and reinvented."

Geoff Pevere of The Toronto Star wrote in his review of the film: "If Nine Queens draws you on a journey that eventually leads up a garden path toward your own suckerhood, it's all the more pleasurable for having done so with such slick expertise." BBC film critic Tom Dawson called the film "a welcome addition to the genre" and a "taut thriller a powerful allegorical resonance."

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