
Nebraska
Synopsis
An aging, booze-addled father takes a trip from Montana to Nebraska with his estranged son in order to claim what he believes to be a million-dollar sweepstakes prize.
Production Budget Analysis
What was the production budget for Nebraska?
Directed by Alexander Payne, with Bruce Dern, Will Forte, June Squibb leading the cast, Nebraska was produced by Echo Lake Entertainment with a confirmed budget of $12,000,000, placing it in the low-budget category for drama films.
At $12,000,000, Nebraska was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $30,000,000.
Budget Comparison — Similar Productions
• Goon (2012): Budget $12,000,000 | Gross $6,985,158 → ROI: -42% • Jobs (2013): Budget $12,000,000 | Gross $42,100,000 → ROI: 251% • All That Jazz (1979): Budget $12,000,000 | Gross $37,823,676 → ROI: 215% • 2001: A Space Odyssey (1968): Budget $12,000,000 | Gross $71,923,560 → ROI: 499% • Wolfwalkers (2020): Budget $12,000,000 | Gross $1,310,720 → ROI: -89%
Key Budget Allocation Categories
▸ Above-the-Line Talent Drama films live or die on the strength of their performances. Securing award-caliber actors and experienced directors represents the single largest budget line item, often consuming 30–40% of the total production budget.
▸ Location Filming & Period Production Design Authentic locations — whether contemporary or historical — require scouting, permits, travel, lodging, and often significant dressing to match the story's time period. Period dramas add the cost of era-accurate props, vehicles, and set decoration.
▸ Post-Production, Color Grading & Score The editorial process for dramas is typically longer than genre films, with careful attention to pacing and tone. Color grading, a nuanced musical score, and detailed sound mixing are critical to achieving the emotional resonance that defines the genre.
Key Production Personnel
CAST: Bruce Dern, Will Forte, June Squibb, Bob Odenkirk, Stacy Keach Key roles: Bruce Dern as Woody Grant; Will Forte as David Grant; June Squibb as Kate Grant; Bob Odenkirk as Ross Grant
DIRECTOR: Alexander Payne CINEMATOGRAPHY: Phedon Papamichael MUSIC: Mark Orton EDITING: Kevin Tent PRODUCTION: Echo Lake Entertainment, Bona Fide Productions FILMED IN: United States of America
Box Office Performance
Nebraska earned $17,654,912 domestically and $10,045,088 internationally, for a worldwide total of $27,700,000. The film skewed heavily domestic (64%), suggesting strong North American appeal.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Nebraska needed approximately $30,000,000 to break even. The film fell $2,300,000 short in theatrical revenue. Ancillary streams (home media, streaming, TV) may have bridged the gap.
Return on Investment (ROI)
Revenue: $27,700,000 Budget: $12,000,000 Net: $15,700,000 ROI: 130.8%
Profitability Assessment
VERDICT: Profitable
Nebraska delivered a solid return, earning $27,700,000 worldwide on a $12,000,000 budget (131% ROI). Combined with ancillary revenue, the film was a financial positive for Echo Lake Entertainment.
INDUSTRY IMPACT
PRODUCTION NOTES
▸ Casting
After first reading the script, Payne thought of Bruce Dern for the role of Woody Grant. As casting for the film began, Payne met with over fifty actors. Because Paramount demanded a big star, Gene Hackman, Robert De Niro, Robert Duvall, Jack Nicholson and Robert Forster were initially short listed for the role. Hackman and Nicholson retired from acting, and Duvall and De Niro declined the role. Payne eventually considered Dern again. Payne chose Dern because, as he said:
The role of David Grant was desired by several notable Hollywood actors. Bryan Cranston read for the role, but Payne considered him a bad fit. Other considered candidates included Paul Rudd, Casey Affleck and Matthew Modine, who spoke publicly of being considered. Payne later selected Will Forte, despite rumors that a high-profile actor was wanted. He stated:
▸ Filming & Locations
The film was shot with Arri Alexa digital cameras and Panavision C-Series anamorphic lenses. The film's lighting was designed to accommodate black and white screening, and was converted from color to black and white in post-production According to cinematographer Phedon Papamichael, the choice was to use "the poetic power of the black and white in combination with these landscapes and of course the landscapes are playing a huge role in this story". Despite this, the network Epix announced in August 2014 that it would show the color version as a "limited time showing".
Nebraska started filming in locations in its namesake state in November 2012. Filming moved to Billings, Montana; Buffalo, Wyoming; and Rapid City, South Dakota, The premiere in the namesake state was in Norfolk on November 25, 2013.
[Filming] The film was shot with Arri Alexa digital cameras and Panavision C-Series anamorphic lenses. The film's lighting was designed to accommodate black and white screening, and was converted from color to black and white in post-production According to cinematographer Phedon Papamichael, the choice was to use "the poetic power of the black and white in combination with these landscapes and of course the landscapes are playing a huge role in this story". Despite this, the network Epix announced in August 2014 that it would show the color version as a "limited time showing".
Nebraska started filming in locations in its namesake state in November 2012. Filming moved to Billings, Montana; Buffalo, Wyoming; and Rapid City, South Dakota, The premiere in the namesake state was in Norfolk on November 25, 2013.
▸ Music & Score
The film score to Nebraska was composed by Tin Hat member Mark Orton. The score also includes performances by other members of Tin Hat, marking the first time the three original members had reunited since 2005. A soundtrack album was released by Milan Records on November 19, 2013.
AWARDS & RECOGNITION
Awards Won: ★ National Board of Review: Top Ten Films
Nominations: ○ Academy Award for Best Supporting Actress (86th Academy Awards) ○ Academy Award for Best Writing, Original Screenplay (86th Academy Awards) ○ Academy Award for Best Actor (86th Academy Awards) ○ Academy Award for Best Director (86th Academy Awards) ○ Academy Award for Best Picture (86th Academy Awards) ○ Academy Award for Best Cinematography (86th Academy Awards)
Additional Recognition: Nebraska has received several awards and nominations since its release. The American Film Institute included it in their Top Ten Films of the Year. The cast won Best Ensemble from the Boston Society of Film Critics, while Squibb won Best Supporting Actress. Nebraska has received five Golden Globe nominations. It also earned six nominations from the Independent Spirit Awards. Dern and Forte won Best Actor and Best Supporting Actor respectively at the National Board of Review. Nebraska has gathered three Satellite Award nominations and has won Best Cast and Best Supporting Actress for Squibb. The film received two nominations from the Screen Actors Guild Awards.
CRITICAL RECEPTION
On review aggregator website Rotten Tomatoes the film holds an approval rating of 90% based on 252 reviews, with an average rating of 8.00/10. The site's critical consensus reads, "Elegant in its simplicity and poetic in its message, Nebraska adds another stirringly resonant chapter to Alexander Payne's remarkable filmography." On Metacritic, film has a weighted average score of 86 out of 100, based on 46 critics, indicating "universal acclaim".
In his review following the Cannes Film Festival, Robbie Collin at The Daily Telegraph gave the film four stars out of five, describing it as "a bittersweet elegy for the American extended family, shot in a crisp black-and-white that chimes neatly with the film's concern for times long past." He also said the film was "a resounding return to form for Payne". Peter Bradshaw at The Guardian wrote that Payne had "returned to a more natural and personal movie language", and praised Dern's performance. Joe Morgenstern of The Wall Street Journal noted that "Bruce Dern's portrait of the boozy old coot is a wonder, as well as the capstone, thus far, of that singular actor's career." Writing for Roger Ebert's website, Christy Lemire commented, “The film's starkly beautiful final images have a poignancy that might leave a lump in your throat.”









































































































































































































































































































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