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Meet the Feebles movie poster

Meet the Feebles

RComedy, Music, Fantasy
Budget$750K
Worldwide Box Office$80K

Synopsis

Heidi, star of the "Meet The Feebles Variety Hour" discovers her lover Bletch the Walrus is cheating on her. And with all the world waiting for the show, the assorted co-stars must contend with drug addiction, extortion, robbery, disease, drug dealing, and murder.

Production Budget Analysis

What was the production budget for Meet the Feebles?

Directed by Peter Jackson, with Donna Akersten, Stuart Devenie, Mark Hadlow leading the cast, Meet the Feebles was produced by WingNut Films with a confirmed budget of $750,000, placing it in the ultra-low-budget category for comedy films.

At $750,000, Meet the Feebles was produced on a lean budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $1,875,000.

Budget Comparison — Similar Productions

• The Conformist (1971): Budget $750,000 | Gross $233,493 → ROI: -69% • The General (1926): Budget $750,000 | Gross $1,000,000 → ROI: 33% • The Night of the Hunter (1955): Budget $795,000 | Gross N/A • The Battle of Algiers (1966): Budget $800,000 | Gross $964,028 → ROI: 21% • The Grapes of Wrath (1940): Budget $800,000 | Gross $1,591,000 → ROI: 99%

Key Budget Allocation Categories

▸ Talent Salaries & Producing Deals Established comedic talent can command $15–20 million per film, with top-tier stars earning even more through producing credits and backend deals. Comedy ensembles multiply this cost across several well-known performers.

▸ Production & Location Filming While comedies generally avoid the VFX costs of action films, location shooting in recognizable cities or exotic locales adds meaningful production expense.

▸ Marketing & P&A (Prints & Advertising) Comedies rely heavily on marketing to build opening-weekend momentum. Studios typically spend 50–100% of the production budget on marketing, with comedy trailers and social media campaigns being particularly expensive.

Key Production Personnel

CAST: Donna Akersten, Stuart Devenie, Mark Hadlow, Brian Sergent, Ross Jolly Key roles: Donna Akersten as Samantha the Cat / The Sheep (voice); Stuart Devenie as Sebastian / Dr. Quack / Daisy the Cow / Sandy the Chicken (voice); Mark Hadlow as Heidi / Robert / Barry the Bulldog (voice); Brian Sergent as Wynyard the Frog / Trevor the Rat / The Fly (voice)

DIRECTOR: Peter Jackson CINEMATOGRAPHY: Murray Milne MUSIC: Peter Dasent EDITING: Jamie Selkirk PRODUCTION: WingNut Films FILMED IN: New Zealand

Box Office Performance

Meet the Feebles earned $80,000 in worldwide box office revenue.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Meet the Feebles needed approximately $1,875,000 to break even. The film fell $1,795,000 short in theatrical revenue. Ancillary streams (home media, streaming, TV) may have bridged the gap.

Return on Investment (ROI)

Revenue: $80,000 Budget: $750,000 Net: $-670,000 ROI: -89.3%

Profitability Assessment

VERDICT: Unprofitable (Theatrical)

Meet the Feebles earned $80,000 against a $750,000 budget (-89% ROI), falling short of theatrical profitability. Ancillary revenue may have reduced the deficit.

INDUSTRY IMPACT

The underperformance may have increased risk aversion around ultra-low-budget comedy productions.

Despite being a commercial failure on release (grossing only 80,000),

The titular Feebles are briefly mentioned in the seventh episode of the 2023 television series The Muppets Mayhem during a cameo by Jackson. Floyd Pepper notes the Electric Mayhem had not crossed paths with Jackson "since that night in Wellington...when we met the Feebles," with Jackson remarking that two Feebles were now in witness protection, and the remainder in prison.

PRODUCTION NOTES

▸ Production

The film was originally conceived as part of a television series and only belatedly became a feature after Japanese investors proposed expanding it; as such, the script was hastily re-written. The dialogue was recorded before shooting began. Made on an extremely low budget considering the time-consuming process of working with puppets, the film went over budget and schedule. The feature was filmed in Wellington, with the majority of the scenes being filmed on multiple constructed sets places, in an abandoned railway shed (Shed No. 12 to be exact) at the dockyards. Some scenes were filmed outside the goods shed, such as a few external and internal scenes that were filmed at The St. James Theatre. During filming, some scenes, including the Vietnam flashback, were funded by members of the film crew, and filmed secretly under the title Frogs of War. The Vietnam flashback includes a game of Russian roulette as a parody of The Deer Hunter. An initial application for Film Commission money was rejected by executive director Jim Booth, who a short time later became Jackson's producer. The Commission eventually granted the production two-thirds of its $750,000 budget, though relationships between the funders and the production soured and the Film Commission removed its credit from the film.

It is often mistakenly stated that there are no human characters in the film; the character Abi is a human. However, there are no real-life human characters in the film-- like the animal characters, Abi is a puppet. Director Jackson has a cameo as an audience member dressed as an alien from Bad Taste. Every vehicle seen in the film is a variation on the Morris Minor, including a specially constructed limousine. Morris Minors also appear in Jackson's Bad Taste and Braindead. By presumed coincidence, one of the characters, Harry the Hare, shares a name with the title character of James B.

▸ Music & Score

The film's music was composed by Peter Dasent. The soundtrack was released in 1991 by Q.D.K. Media.

;Track listing

AWARDS & RECOGNITION

No awards data currently available for this title.

CRITICAL RECEPTION

On Rotten Tomatoes the film has an approval rating of 72% based on reviews from 25 critics, with an average rating of 6.5/10. The site's consensus reads "Dark and vulgar, Meet the Feebles is a backstage comedy featuring puppets that offers proof of Peter Jackson's taste for sheer outrageousness, even if it often lapses into pure juvenilia."

During a limited theatrical release in North America in 2002, critic James Berardinelli touched on aspects of the film which likely helped ensure it limited release in cinemas. "The stories of these ... characters are told in a disgustingly graphic, obscenely offbeat, and caustically funny manner. Meet the Feebles is for those with a strong stomach and a seriously warped sense of humor. The film is so off the beaten track that it makes Monty Python seem mainstream." Janet Maslin of the New York Times gave it 2 out of 5 and wrote that it was "Destined to stand as an unfortunate footnote to Mr. Jackson's career."

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