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Love and Monsters movie poster

Love and Monsters

PG-13Adventure, Comedy, Fantasy, Science Fiction
Budget$30M
Domestic Box Office$1.1M
Worldwide Box Office$1.1M

Synopsis

Seven years after the Monsterpocalypse, Joel Dawson (Dylan O'Brien), along with the rest of humanity, has been living underground ever since giant creatures took control of the land. After reconnecting over radio with his high school girlfriend Aimee (Jessica Henwick), who is now 80 miles away at a coastal colony, Joel begins to fall for her again. As Joel realizes that there's nothing left for him underground, he decides against all logic to venture out to Aimee, despite all the dangerous monsters that stand in his way. The fun-filled and action-packed adventure also stars Michael Rooker and Ariana Greenblatt.

Production Budget Analysis

What was the production budget for Love and Monsters?

Directed by Michael Matthews, with Dylan O'Brien, Jessica Henwick, Michael Rooker leading the cast, Love and Monsters was produced by 21 Laps Entertainment with a confirmed budget of $30,000,000, placing it in the low-budget category for adventure films.

With a $30,000,000 budget, Love and Monsters sits in the mid-range of studio releases. Marketing costs for a wide release at this level typically add $30–60 million, putting the break-even point near $75,000,000.

Budget Comparison — Similar Productions

• A Hologram for the King (2016): Budget $30,000,000 | Gross $9,169,507 → ROI: -69% • A Lot Like Love (2005): Budget $30,000,000 | Gross $42,886,719 → ROI: 43% • Big Momma's House (2000): Budget $30,000,000 | Gross $173,959,438 → ROI: 480% • Crazy Rich Asians (2018): Budget $30,000,000 | Gross $238,539,198 → ROI: 695% • Doomsday (2008): Budget $30,000,000 | Gross $22,472,631 → ROI: -25%

Key Budget Allocation Categories

▸ Stunts, Action Sequences & Visual Effects Action films allocate a substantial portion of their budget to choreographing and executing practical stunts, pyrotechnics, and CGI-heavy sequences. For large-scale productions, VFX alone can account for 20–30% of the total budget, with additional costs for stunt coordinators, rigging, and safety crews.

▸ Above-the-Line Talent (Cast & Director) A-list talent commands significant upfront fees plus backend participation. Lead actors in major action franchises typically earn $10–25 million per film, with directors often receiving comparable compensation packages tied to box office performance.

▸ Production Design, Sets & Locations Action films frequently require multiple international shooting locations, large-scale set construction, vehicle acquisitions and modifications, and specialized equipment — all of which drive production costs well above those of dialogue-driven genres.

Key Production Personnel

CAST: Dylan O'Brien, Jessica Henwick, Michael Rooker, Dan Ewing, Ariana Greenblatt Key roles: Dylan O'Brien as Joel Dawson; Jessica Henwick as Aimee; Michael Rooker as Clyde; Dan Ewing as Cap

DIRECTOR: Michael Matthews CINEMATOGRAPHY: Lachlan Milne MUSIC: Marco Beltrami, Marcus Trumpp EDITING: Nancy Richardson, Debbie Berman PRODUCTION: 21 Laps Entertainment FILMED IN: United States of America

Box Office Performance

Love and Monsters earned $1,070,714 domestically and $51,352 internationally, for a worldwide total of $1,122,066. The film skewed heavily domestic (95%), suggesting strong North American appeal.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Love and Monsters needed approximately $75,000,000 to break even. The film fell $73,877,934 short in theatrical revenue. Ancillary streams (home media, streaming, TV) may have bridged the gap.

Return on Investment (ROI)

Revenue: $1,122,066 Budget: $30,000,000 Net: $-28,877,934 ROI: -96.3%

Profitability Assessment

VERDICT: Unprofitable (Theatrical)

Love and Monsters earned $1,122,066 against a $30,000,000 budget (-96% ROI), falling short of theatrical profitability. Ancillary revenue may have reduced the deficit.

INDUSTRY IMPACT

The underperformance may have increased risk aversion around low-budget adventure productions.

AWARDS & RECOGNITION

Summary: Nominated for 1 Oscar. 1 win & 4 nominations total

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