
Last Night in Soho
Synopsis
In acclaimed director Edgar Wright's psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.
Production Budget Analysis
What was the production budget for Last Night in Soho?
Directed by Edgar Wright, with Thomasin McKenzie, Anya Taylor-Joy, Matt Smith leading the cast, Last Night in Soho was produced by Focus Features with a confirmed budget of $43,000,000, placing it in the mid-budget category for horror films.
With a $43,000,000 budget, Last Night in Soho sits in the mid-range of studio releases. Marketing costs for a wide release at this level typically add $30–60 million, putting the break-even point near $107,500,000.
Budget Comparison — Similar Productions
• 28 Days (2000): Budget $43,000,000 | Gross $62,198,945 → ROI: 45% • A Monster Calls (2016): Budget $43,000,000 | Gross $47,309,313 → ROI: 10% • Finding Forrester (2000): Budget $43,000,000 | Gross $80,100,000 → ROI: 86% • Along Came Polly (2004): Budget $42,000,000 | Gross $178,300,000 → ROI: 325% • Bloodshot (2020): Budget $42,000,000 | Gross $39,861,118 → ROI: -5%
Key Budget Allocation Categories
▸ Practical Effects, Prosthetics & Makeup Horror productions invest disproportionately in practical effects — prosthetic applications, animatronics, blood and gore effects, and creature suits. A single hero creature suit can cost $50,000–200,000.
▸ Atmospheric Production Design & Cinematography Creating dread through environment is essential. Abandoned locations must be secured and dressed, lighting rigs designed for shadow and tension, and sets built to enable specific camera movements and reveals.
▸ Sound Design & Score Horror is arguably the most sound-dependent genre. Foley work, ambient textures, frequency manipulation, and jump-scare stingers require specialized sound designers working with unconventional techniques.
Key Production Personnel
CAST: Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Rita Tushingham, Michael Ajao Key roles: Thomasin McKenzie as Eloise Turner; Anya Taylor-Joy as Sandie; Matt Smith as Jack; Rita Tushingham as Peggy Turner
DIRECTOR: Edgar Wright CINEMATOGRAPHY: Chung Chung-hoon MUSIC: Steven Price EDITING: Paul Machliss PRODUCTION: Focus Features, Film4 Productions, Working Title Films, Complete Fiction, Perfect World Pictures FILMED IN: United Kingdom, United States of America, China
Box Office Performance
Last Night in Soho earned $10,127,625 domestically and $12,830,000 internationally, for a worldwide total of $22,957,625. Revenue was split 44% domestic / 56% international.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Last Night in Soho needed approximately $107,500,000 to break even. The film fell $84,542,375 short in theatrical revenue. Ancillary streams (home media, streaming, TV) may have bridged the gap.
Return on Investment (ROI)
Revenue: $22,957,625 Budget: $43,000,000 Net: $-20,042,375 ROI: -46.6%
Profitability Assessment
VERDICT: Unprofitable (Theatrical)
Last Night in Soho earned $22,957,625 against a $43,000,000 budget (-47% ROI), falling short of theatrical profitability. Ancillary revenue may have reduced the deficit.
INDUSTRY IMPACT
The underperformance may have increased risk aversion around mid-budget horror productions.
AWARDS & RECOGNITION
Summary: Nominated for 2 BAFTA 24 wins & 77 nominations total









































































































































































































































































































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