
Children of the Corn
Synopsis
A boy preacher named Isaac goes to Gatlin, Nebraska and gets all the children to murder every adult in town. A young couple on a road trip stop in Gatlin to report a murder and seek help, but the town seems deserted. They are soon trapped in Gatlin with little chance of getting out alive.
Production Budget Analysis
What was the production budget for Children of the Corn?
Directed by Fritz Kiersch, with Peter Horton, Linda Hamilton, R.G. Armstrong leading the cast, Children of the Corn was produced by Planet Productions with a confirmed budget of $800,000, placing it in the ultra-low-budget category for horror films as part of the Children of the Corn Collection.
At $800,000, Children of the Corn was produced on a lean budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $2,000,000.
Budget Comparison — Similar Productions
• The Battle of Algiers (1966): Budget $800,000 | Gross $964,028 → ROI: 21% • The Grapes of Wrath (1940): Budget $800,000 | Gross $1,591,000 → ROI: 99% • The Night of the Hunter (1955): Budget $795,000 | Gross N/A • Dumbo (1941): Budget $812,000 | Gross $1,600,000 → ROI: 97% • Mirror (1975): Budget $825,000 | Gross $124,367 → ROI: -85%
Key Budget Allocation Categories
▸ Practical Effects, Prosthetics & Makeup Horror productions invest disproportionately in practical effects — prosthetic applications, animatronics, blood and gore effects, and creature suits. A single hero creature suit can cost $50,000–200,000.
▸ Atmospheric Production Design & Cinematography Creating dread through environment is essential. Abandoned locations must be secured and dressed, lighting rigs designed for shadow and tension, and sets built to enable specific camera movements and reveals.
▸ Sound Design & Score Horror is arguably the most sound-dependent genre. Foley work, ambient textures, frequency manipulation, and jump-scare stingers require specialized sound designers working with unconventional techniques.
Key Production Personnel
CAST: Peter Horton, Linda Hamilton, R.G. Armstrong, John Franklin, Courtney Gains Key roles: Peter Horton as Burton Stanton; Linda Hamilton as Vicky; R.G. Armstrong as Diehl; John Franklin as Isaac Chroner
DIRECTOR: Fritz Kiersch CINEMATOGRAPHY: João Fernandes MUSIC: Jonathan Elias EDITING: Harry Keramidas PRODUCTION: Planet Productions, Angeles Entertainment Group, Cinema Group, Hal Roach Studios, Gatlin, Inverness Productions FILMED IN: United States of America
Box Office Performance
Children of the Corn earned $14,568,989 domestically, for a worldwide total of $14,568,989. The film skewed heavily domestic (100%), suggesting strong North American appeal.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Children of the Corn needed approximately $2,000,000 to break even. The film surpassed this threshold by $12,568,989.
Return on Investment (ROI)
Revenue: $14,568,989 Budget: $800,000 Net: $13,768,989 ROI: 1721.1%
Profitability Assessment
VERDICT: Highly Profitable
Children of the Corn was a clear financial success, generating $14,568,989 worldwide against a $800,000 production budget — a 1721% ROI. After estimated marketing costs, the film still delivered substantial profit to Planet Productions.
INDUSTRY IMPACT
Franchise: Children of the Corn is part of the Children of the Corn Collection.
The outsized success of Children of the Corn likely influenced studio greenlight decisions for similar horror projects.
PRODUCTION NOTES
▸ Production
Stephen King wrote the initial screenplay which was first optioned by Maine based director Harry Wiland and producer Joseph Masefield who arranged financing from Home Box Office and 20th Century Fox until Fox pulled out of the deal leaving the project $2 million short of the needed funds and causing the rights to be repeatedly brokered to the point King couldn't actually name all the entities that held the rights. Eventually, Hal Roach Studios acquired the rights and hired George Goldsmith to perform a re-write of King's script. One of the drafts eventually made its way to Donald P. Borchers, Vice President of Production and Creative Affairs at New World Pictures, and a deal was quickly made between New World and Hal Roach Studios before the corn in the Midwestern United States could ripen and hired director Fritz Kiersch and Terence Kirby as director and producer respectively.
During an interview on The Ghost of Hollywood, Fritz Kiersch explained how Courtney Gains won the role of Malachai by using a prop knife to hold a casting assistant hostage at the audition. Gains claims that one of the great honors of his career is having hundreds of people, even his son's friends, recognize him as Malachai and confess they found him terrifying, some having admitted his performance gave them nightmares. Apparently, even his own parents were greatly unnerved by him in this film.
According to producer Donald Borchers the film was originally offered to Sam Raimi to direct but Raimi wanted more preparation time. Borchers then offered the film to Tommy Lee Wallace who turned it down. He eventually went with Fritz Kiersch who worked in advertising.
Because of seasonal changes, cornstalks had to be propped up and painted green to appear living.
Some of the local townspeople also performed as minor roles or acted as extras in the film.
AWARDS & RECOGNITION
Summary: 1 win & 3 nominations total









































































































































































































































































































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