
Bogus
Synopsis
Seven year-old Albert is the son of a Las Vegas circus performer. When she is killed in a car wreck, Albert is sent to live with his mother's foster sister, Harriet Franklin, a no-nonsense businesswoman struggling in New Jersey. Albert hates it with the dour Harriet, but takes refuge in the company of Bogus, a flamboyant, gentle, loving, and altogether imaginary Frenchman. With Bogus's help, Albert can perhaps come to terms with his mother's death, and Harriet with her own loss of childhood innocence.
Production Budget Analysis
What was the production budget for Bogus?
Directed by Norman Jewison, with Whoopi Goldberg, Gérard Depardieu, Haley Joel Osment leading the cast, Bogus was produced by Regency Enterprises with a confirmed budget of $32,000,000, placing it in the low-budget category for fantasy films.
With a $32,000,000 budget, Bogus sits in the mid-range of studio releases. Marketing costs for a wide release at this level typically add $30–60 million, putting the break-even point near $80,000,000.
Budget Comparison — Similar Productions
• A History of Violence (2005): Budget $32,000,000 | Gross $61,477,797 → ROI: 92% • Alive (1993): Budget $32,000,000 | Gross $36,700,000 → ROI: 15% • Bad Times at the El Royale (2018): Budget $32,000,000 | Gross $31,882,724 → ROI: -0% • Apocalypse Now (1979): Budget $31,500,000 | Gross $150,000,000 → ROI: 376% • 21 Bridges (2019): Budget $33,000,000 | Gross $49,900,000 → ROI: 51%
Key Budget Allocation Categories
▸ Visual Effects & Creature Design Fantasy productions require extensive VFX for magical elements, mythical creatures, and fantastical battle sequences. Creature design alone — from concept art through motion capture and digital rendering — can consume tens of millions of dollars on a major production.
▸ Costumes, Prosthetic Makeup & Production Design Period-inspired or wholly original costumes, elaborate prosthetic and makeup applications, and richly detailed set construction are hallmarks of fantasy filmmaking. A single hero costume can cost $30,000–50,000, multiplied across dozens of featured characters.
▸ Music Score & Sound Design Fantasy epics typically commission full orchestral scores recorded with 80–100 piece ensembles, plus extensive sound design for magical effects, creature vocalizations, and immersive world audio.
Key Production Personnel
CAST: Whoopi Goldberg, Gérard Depardieu, Haley Joel Osment, Denis Mercier, Andrea Martin Key roles: Whoopi Goldberg as Harriet Franklin; Gérard Depardieu as Bogus; Haley Joel Osment as Albert; Denis Mercier as Monsieur Antoine
DIRECTOR: Norman Jewison CINEMATOGRAPHY: David Watkin MUSIC: Marc Shaiman EDITING: Stephen E. Rivkin PRODUCTION: Regency Enterprises, Yorktown Productions FILMED IN: United States of America
Box Office Performance
Theatrical box office data is not publicly available for Bogus (1996). This may indicate a limited release, direct-to-streaming, or a release predating modern box office tracking.
Profitability Assessment
Insufficient publicly available data to assess profitability.
INDUSTRY IMPACT
PRODUCTION NOTES
▸ Filming & Locations
Although portrayed as Newark, New Jersey, part of the film was filmed in the Van Vorst Park neighborhood of Downtown Jersey City. The apartment building that the character, Harriet, lives in at the corner of York Street and Barrow Street is called Madison on the Van Vorst Park.
[Filming location] Although portrayed as Newark, New Jersey, part of the film was filmed in the Van Vorst Park neighborhood of Downtown Jersey City. The apartment building that the character, Harriet, lives in at the corner of York Street and Barrow Street is called Madison on the Van Vorst Park.
AWARDS & RECOGNITION
Summary: 1 win & 3 nominations total
CRITICAL RECEPTION
Rotten Tomatoes reports that 41% of 17 surveyed critics gave the film a positive review; the average rating is 5/10. Leonard Klady of Variety wrote, "Sweetly sentimental and anachronistically whimsical, Bogus is a modern metaphor oddly out of step with contemporary taste." Janet Maslin of The New York Times wrote, "Jewison lays on the dry ice and special effects without adding emotion to a slow, hackneyed story." Roger Ebert of the Chicago Sun-Times rated it 3/4 stars and called it "a charming, inconsequential fantasy" that wisely avoids realism. Audiences surveyed by CinemaScore gave the film a grade of "B+" on a scale of A+ to F.









































































































































































































































































































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