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A Serious Man

RComedy, Drama
Budget$7M
Worldwide Box Office$31.4M

Synopsis

It is 1967, and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him. She has fallen in love with one of his more pompous acquaintances Sy Ableman.

Production Budget Analysis

What was the production budget for A Serious Man?

Directed by Ethan Coen, Joel Coen, with Michael Stuhlbarg, Richard Kind, Fred Melamed leading the cast, A Serious Man was produced by Focus Features with a confirmed budget of $7,000,000, placing it in the micro-budget category for comedy films.

At $7,000,000, A Serious Man was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $17,500,000.

Budget Comparison — Similar Productions

• Capote (2005): Budget $7,000,000 | Gross $49,327,405 → ROI: 605% • Norm of the North (2016): Budget $7,000,000 | Gross $17,062,499 → ROI: 144% • American Psycho (2000): Budget $7,000,000 | Gross $34,269,748 → ROI: 390% • Jaws (1975): Budget $7,000,000 | Gross $470,653,000 → ROI: 6624% • High School Musical 2 (2007): Budget $7,000,000 | Gross N/A

Key Budget Allocation Categories

▸ Talent Salaries & Producing Deals Established comedic talent can command $15–20 million per film, with top-tier stars earning even more through producing credits and backend deals. Comedy ensembles multiply this cost across several well-known performers.

▸ Production & Location Filming While comedies generally avoid the VFX costs of action films, location shooting in recognizable cities or exotic locales adds meaningful production expense.

▸ Marketing & P&A (Prints & Advertising) Comedies rely heavily on marketing to build opening-weekend momentum. Studios typically spend 50–100% of the production budget on marketing, with comedy trailers and social media campaigns being particularly expensive.

Key Production Personnel

CAST: Michael Stuhlbarg, Richard Kind, Fred Melamed, Sari Lennick, Aaron Wolff Key roles: Michael Stuhlbarg as Larry Gopnik; Richard Kind as Uncle Arthur; Fred Melamed as Sy Ableman; Sari Lennick as Judith Gopnik

DIRECTOR: Ethan Coen, Joel Coen CINEMATOGRAPHY: Roger Deakins MUSIC: Carter Burwell EDITING: Joel Coen, Ethan Coen PRODUCTION: Focus Features, StudioCanal, Relativity Media, Working Title Films, Mike Zoss Productions FILMED IN: United States of America, United Kingdom, France

Box Office Performance

A Serious Man earned $31,400,000 in worldwide box office revenue.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), A Serious Man needed approximately $17,500,000 to break even. The film surpassed this threshold by $13,900,000.

Return on Investment (ROI)

Revenue: $31,400,000 Budget: $7,000,000 Net: $24,400,000 ROI: 348.6%

Detailed Box Office Notes

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!scope="col"| United States !scope="col"| United States !scope="col"| International !scope="col"| Worldwide !scope="col"| All time United States !scope="col"| All time worldwide

A Serious Man grossed $9,228,768 domestically, and $22,201,566 internationally, making for a worldwide gross of $31,430,334.

Profitability Assessment

VERDICT: Highly Profitable

A Serious Man was a clear financial success, generating $31,400,000 worldwide against a $7,000,000 production budget — a 349% ROI. After estimated marketing costs, the film still delivered substantial profit to Focus Features.

INDUSTRY IMPACT

The outsized success of A Serious Man likely influenced studio greenlight decisions for similar comedy projects.

PRODUCTION NOTES

▸ Production

Considerable attention was paid to the setting; it was important to the Coens to find a neighborhood of original-looking suburban rambler homes as they would have appeared in St. Louis Park, Minnesota, in the late 1960s. Locations were scouted in nearby Edina, Richfield, Brooklyn Center, and Hopkins before a suitable location was found in Bloomington. The film's look is partly based on the Brad Zellar book Suburban World: The Norling Photographs, a collection of photographs of Bloomington in the 1950s and 60s.

Location filming began on September 8, 2008, in Minnesota. An office scene was shot at Normandale Community College in Bloomington. The film also used a set built in the school's library, as well as small sections of the second floor science building hallway. The synagogue is the B'nai Emet Synagogue in St. Louis Park. The Coens also shot some scenes in St. Olaf College's old science building because of its similar period architecture. A classroom scene was shot at the then-closed Shingle Creek Elementary School in north Minneapolis, due to its 1960s-era design. Scenes were also shot at the Minneapolis legal offices of Meshbesher & Spence, the name of whose founder and president, Ronald I. Meshbesher, is mentioned as the criminal lawyer recommended to Larry in the film. Filming wrapped on November 6, 2008, after 44 days, ahead of schedule and within budget.

Longtime collaborator Roger Deakins rejoined the Coens as cinematographer, following his absence from Burn After Reading. This was his tenth film with them.

The Coens themselves stated that the "germ" of the story was a rabbi from their adolescence: a "mysterious figure" who had a private conversation with each student at the conclusion of their religious education.

▸ Music & Score

All of the film's original music is by Carter Burwell, who also worked on every previous Coen brothers film except O Brother, Where Art Thou? The film also contains pieces of Yiddish music including "Dem Milner's Trern" by Mark Warshawsky and performed by Sidor Belarsky, which deals with the abuse and recurring evictions of Jews from Shtetlekh.

The soundtrack also includes the following songs by popular 1960s artists:

AWARDS & RECOGNITION

Awards Won: ★ National Board of Review: Top Ten Films

Nominations: ○ Academy Award for Best Picture (82nd Academy Awards) ○ Academy Award for Best Writing, Original Screenplay (82nd Academy Awards)

Additional Recognition: A Serious Man received numerous awards and nominations, particularly for its screenplay, acting, and cinematography. Joel and Ethan Coen were awarded Best Original Screenplay at the 2009 National Board of Review Awards and the 2010 National Society of Film Critics Awards. The screenplay was also nominated for Best Original Screenplay at the 2010 Academy Awards, the BAFTA Awards, the 15th Annual Critics' Choice Awards, and the 2009 Boston Society of Film Critics Awards.

The film was nominated for Best Picture at the 82nd Academy Awards; the BBC News called it "one of the less talked about nominees". It was also nominated for Best Picture by the Critics' Choice Awards, The National Board of Review, the Satellite Awards, all listed the film as one of the ten best of 2009.

Stuhlbarg was awarded the Chaplin Virtuoso Award at the Santa Barbara International Film Festival and was nominated for Best Actor at the 2010 Golden Globe Awards. Stuhlbarg, Kind, Melamed and Lennick were nominated for a Gotham Award for Best Performance by an Ensemble Cast. At the 2010 Independent Spirit Awards, Roger Deakins won the award for Best Cinematography, and the film's directors, ensemble cast, and casting directors were awarded with the Robert Altman Award.

Deakins also received awards at both the 2009 Hollywood Awards and the 2009 San Francisco Film Critics Circle Awards, along with the Nikola Tesla Award at the Satellite Awards.

CRITICAL RECEPTION

A Serious Man received mostly positive reviews from critics, and holds an 89% approval rating on Rotten Tomatoes, based on 227 reviews, with an average rating of 7.90/10. The site's critical consensus reads, "Blending dark humor with profoundly personal themes, the Coen brothers deliver what might be their most mature—if not their best—film to date." The film also holds a score of 85 out of 100 on Metacritic, based on 38 critics, indicating "universal acclaim".

Roger Ebert of the Chicago Sun-Times rated the film four out of four stars. His review highlighted the film's Yiddish folktale prologue, suggesting that though the Coens maintain it has no relation to the rest of the film, "maybe because an ancestor invited a dybbuk (wandering soul) to cross his threshold, Larry is cursed." In an essay in Jung Journal: Culture and Psyche, Steve Zemmelman considers that the prologue may link to the Jefferson Airplane soundtrack motif, reflecting Larry's normal sense of order becoming increasingly disrupted. He writes, "what can happen when 'the wheel falls off the cart', as Velvel says happened to him on the road that night, or 'when the truth is found to be lies', that lyric from 'Somebody to Love' that serves as bookends for this film."

Claudia Puig of USA Today wrote, "A Serious Man is a wonderfully odd, bleakly comic and thoroughly engrossing film. Underlying the grim humor are serious questions about faith, family, mortality and misfortune." Time magazine critic Richard Corliss called it "disquieting" and "haunting".

Some critics, including Roger Ebert, commented on the link between the film and the Biblical Book of Job.

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