
A Separation
Synopsis
Nader (Payman Maadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter.
Production Budget Analysis
What was the production budget for A Separation?
Directed by Asghar Farhadi, with Leila Hatami, Payman Maadi, Sareh Bayat leading the cast, A Separation was produced by Asghar Farhadi Productions with a confirmed budget of $5,000,000, placing it in the micro-budget category for drama films.
At $5,000,000, A Separation was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $12,500,000.
Budget Comparison — Similar Productions
• Come and See (1985): Budget $5,000,000 | Gross $20,929,648 → ROI: 319% • Cinema Paradiso (1988): Budget $5,000,000 | Gross $35,962,062 → ROI: 619% • Mishima: A Life in Four Chapters (1985): Budget $5,000,000 | Gross $502,758 → ROI: -90% • Once Upon a Time in the West (1968): Budget $5,000,000 | Gross $5,380,118 → ROI: 8% • The Elephant Man (1980): Budget $5,000,000 | Gross $26,000,000 → ROI: 420%
Key Budget Allocation Categories
▸ Above-the-Line Talent Drama films live or die on the strength of their performances. Securing award-caliber actors and experienced directors represents the single largest budget line item, often consuming 30–40% of the total production budget.
▸ Location Filming & Period Production Design Authentic locations — whether contemporary or historical — require scouting, permits, travel, lodging, and often significant dressing to match the story's time period. Period dramas add the cost of era-accurate props, vehicles, and set decoration.
▸ Post-Production, Color Grading & Score The editorial process for dramas is typically longer than genre films, with careful attention to pacing and tone. Color grading, a nuanced musical score, and detailed sound mixing are critical to achieving the emotional resonance that defines the genre.
Key Production Personnel
CAST: Leila Hatami, Payman Maadi, Sareh Bayat, Sarina Farhadi, Shahab Hosseini Key roles: Leila Hatami as Simin; Payman Maadi as Nader; Sareh Bayat as Razieh; Sarina Farhadi as Termeh
DIRECTOR: Asghar Farhadi CINEMATOGRAPHY: Mahmoud Kalari MUSIC: Sattar Oraki EDITING: Hayedeh Safiyari PRODUCTION: Asghar Farhadi Productions, Memento Production FILMED IN: Iran, France
Box Office Performance
A Separation earned $7,098,492 domestically and $17,327,677 internationally, for a worldwide total of $24,426,169. International markets drove the majority of revenue (71%), indicating strong global appeal.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), A Separation needed approximately $12,500,000 to break even. The film surpassed this threshold by $11,926,169.
Return on Investment (ROI)
Revenue: $24,426,169 Budget: $5,000,000 Net: $19,426,169 ROI: 388.5%
Detailed Box Office Notes
As of 17 April 2014, A Separation has grossed worldwide over $24 million on an estimated budget of just $800,000, making it a huge box-office success.
Profitability Assessment
VERDICT: Highly Profitable
A Separation was a clear financial success, generating $24,426,169 worldwide against a $5,000,000 production budget — a 389% ROI. After estimated marketing costs, the film still delivered substantial profit to Asghar Farhadi Productions.
INDUSTRY IMPACT
The outsized success of A Separation likely influenced studio greenlight decisions for similar drama projects.
PRODUCTION NOTES
▸ Production
The concept came from a number of personal experiences and abstract pictures which had been in Asghar Farhadi's mind for some time. Once he decided to make the film, about a year before it premiered, it was quickly written and financed. Farhadi described the film as the "logical development" from his previous film, About Elly. Like Farhadi's last three films, A Separation was made without any government support. The financing went without trouble much thanks to the success of About Elly. The production was granted in support from the Motion Picture Association's APSA Academy Film Fund.
In September 2010, Farhadi was banned from making the film by the Iranian Ministry of Culture and Islamic Guidance, because of an acceptance speech held during an award ceremony where he expressed support for several Iranian film personalities. Notably he had wished to see the return to Iranian cinema of Mohsen Makhmalbaf, an exiled filmmaker and Iranian opposition profile, and of the imprisoned political filmmaker Jafar Panahi, both of whom had been connected to the Iranian Green Movement. The ban was lifted in the beginning of October after Farhadi claimed to have been misperceived and apologized for his remarks.
AWARDS & RECOGNITION
Summary: Won 1 Oscar. 89 wins & 52 nominations total
Awards Won: ★ César Award for Best Foreign Film ★ Silver Bear for Best Actor ★ Golden Bear ★ Academy Award for Best International Feature Film (84th Academy Awards) ★ Silver Bear for Best Actress ★ Asia Pacific Screen Award for Best Feature Film
Nominations: ○ Academy Award for Best International Feature Film (84th Academy Awards) ○ Academy Award for Best Writing, Original Screenplay (84th Academy Awards) ○ International Submission to the Academy Awards
CRITICAL RECEPTION
The film has been met with universal acclaim from film critics. It currently holds a 99% "fresh" rating on Rotten Tomatoes, based on 176 reviews with an average rating of 8.90/10. The website's critical consensus states, "Morally complex, suspenseful, and consistently involving, A Separation captures the messiness of a dissolving relationship with keen insight and searing intensity." The site ranked it 24th on their "300 Best Movies of All Time" list in 2025. It has a score of 95 on Metacritic based on 41 reviews, making it the best-reviewed film of 2011.
Deborah Young of The Hollywood Reporter wrote from the Berlinale:
Young noted how Farhadi portrayed Iran's social and religious divisions, and complimented the film's craft:
In a strongly positive review from Screen Daily, Lee Marshall wrote:
Alissa Simon from Variety called it Farhadi's strongest work yet and described it:
David Thomson for The New Republic wrote:
The film won the Fajr Film Festival's Crystal Simorghs for Best Director, Best Screenplay, Best Cinematographer and Best Sound Recorder. It also received the Audience Favourite Film award. It won the top award, the Golden Bear for Best Film, at the 61st Berlin International Film Festival. The actress ensemble received the Silver Bear for Best Actress, and the actor ensemble the Silver Bear for Best Actor. In addition it received the Competition Prize of the Ecumenical Jury and the Berliner Morgenpost Readers' Prize. Isabella Rossellini, the Jury president of the Berlin International Film Festival, said that the choice of Farhadi's film for the Golden Bear was "pretty unanimous". Ahmad Miralaii, the director of Iran's Farabi Cinematic Foundation, said that "Iranian cinema is proud of the awards", as he welcomed Farhadi at the airport upon the director's return from Berlin. as well as in the LA Weekly Film Poll 2011. The film was also voted No. 3 in the annual indieWire critic survey for 2011, No.









































































































































































































































































































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