
Tully
Synopsis
The film is about Marlo, a mother of three, including a newborn. Marlo's brother gives her a night nanny as a gift. Hesitant with the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully.
Production Budget Analysis
The production budget for Tully (2018) has not been publicly disclosed.
CAST: Charlize Theron, Mackenzie Davis, Ron Livingston, Mark Duplass, Asher Miles Fallica, Lia Frankland DIRECTOR: Jason Reitman CINEMATOGRAPHY: Eric Steelberg MUSIC: Rob Simonsen PRODUCTION: Bron Studios, Creative Wealth Media Finance, Denver & Delilah Productions, Right of Way Films, West Egg Studios
Box Office Performance
Tully earned $9,369,755 domestically and $6,266,707 internationally, for a worldwide total of $15,636,462. Revenue was split 60% domestic / 40% international.
Profitability Assessment
Insufficient publicly available data to assess profitability.
INDUSTRY IMPACT
PRODUCTION NOTES
▸ Production
Diablo Cody wrote the film as a way of dealing with her own difficult pregnancy. The script helped her, becoming "a glowing, soothing presence I could return to whenever I felt overwhelmed." Reitman noted, according to Cody, that Tully fits together thematically with their previous collaborations, logically concluding an unintentional trilogy where "Juno is about being prematurely thrust into adulthood, Young Adult is about resisting adulthood, and Tully is about finding grace and acceptance in midlife."
Filming lasted from September 22 to November 2, 2016, in Vancouver, British Columbia.
AWARDS & RECOGNITION
Summary: 4 wins & 31 nominations total
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CRITICAL RECEPTION
On review aggregator Rotten Tomatoes, the film holds an approval rating of based on reviews, with an average rating of ; the website's critical consensus reads: "Tully delves into the modern parenthood experience with an admirably deft blend of humor and raw honesty, brought to life by an outstanding performance by Charlize Theron." On Metacritic, the film has a weighted average score of 75 out of 100 based on 52 critics, indicating "generally favorable reviews". According to PostTrak, filmgoers gave the film an overall positive score of 73%, with audience members over the age of 25 giving it a 71% and those under 25 giving it an 87%. Writing for Rolling Stone, Peter Travers praised the performances and script, giving the film 3.5 stars out of 4 and saying: "When the film takes a sharp turn and veers off-course in its final third, you hold on because Davis and Theron make sure you do. Together these two dynamite actresses cut to the soulful core of a movie that turns out to be funny, touching and vital."
Despite the film receiving positive reviews from many critics, one group of critics criticized the film for its portrayal of postpartum mental health. In particular, they took exception to the normalization and lack of recognition of postpartum depression or postpartum psychosis, which they deemed careless.
Diana Spalding (the digital education editor for the website Motherly, a midwife, and a pediatric nurse) argued that Theron's character displays behaviors more typical of postpartum psychosis, the symptoms of which include delusions, hallucinations, periods of extreme activity, anger, paranoia, and trouble communicating. Along with other negative critics of the movie, Spalding had looked forward to seeing a film about what motherhood is truly like, but instead found the issue of postpartum mental illness "unaddressed", and Marlo's suicidal ideation normalized.









































































































































































































































































































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