
The Senior
Synopsis
Follows a man who, 37 years ago, was kicked off his collegiate football team for an altercation. Now at 59, he still carries that burden. He decides to go back to school to get his degree and try out for the team to redeem his past.
Production Budget Analysis
What was the production budget for The Senior?
Directed by Rod Lurie, with Michael Chiklis, Mary Stuart Masterson, Brandon Flynn leading the cast, The Senior was produced by Wayfarer Studios with a confirmed budget of $1,050,000, placing it in the micro-budget category for drama films.
At $1,050,000, The Senior was produced on a lean budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $2,625,000.
Budget Comparison — Similar Productions
• Gone in 60 Seconds (1974): Budget $1,000,000 | Gross $40,000,000 → ROI: 3900% • A Woman Under the Influence (1974): Budget $1,000,000 | Gross $12,200,000 → ROI: 1120% • Rear Window (1954): Budget $1,000,000 | Gross $37,042,336 → ROI: 3604% • How to Make Millions Before Grandma Dies (2024): Budget $1,000,000 | Gross $73,800,000 → ROI: 7280% • Raise the Red Lantern (1991): Budget $1,000,000 | Gross $16,600,000 → ROI: 1560%
Key Budget Allocation Categories
▸ Above-the-Line Talent Drama films live or die on the strength of their performances. Securing award-caliber actors and experienced directors represents the single largest budget line item, often consuming 30–40% of the total production budget.
▸ Location Filming & Period Production Design Authentic locations — whether contemporary or historical — require scouting, permits, travel, lodging, and often significant dressing to match the story's time period. Period dramas add the cost of era-accurate props, vehicles, and set decoration.
▸ Post-Production, Color Grading & Score The editorial process for dramas is typically longer than genre films, with careful attention to pacing and tone. Color grading, a nuanced musical score, and detailed sound mixing are critical to achieving the emotional resonance that defines the genre.
Key Production Personnel
CAST: Michael Chiklis, Mary Stuart Masterson, Brandon Flynn, Rob Corddry, Todd Terry Key roles: Michael Chiklis as Mike Flynt; Mary Stuart Masterson as Eileen Flynt; Brandon Flynn as Micah Flynt; Rob Corddry as Sam Weston
DIRECTOR: Rod Lurie CINEMATOGRAPHY: Tucker Korte MUSIC: Larry Groupé EDITING: Abbi Jutkowitz, Sean Albertson PRODUCTION: Wayfarer Studios, Ten Acre Films, Select Films FILMED IN: United States of America
Box Office Performance
The Senior earned $4,480,301 in worldwide box office revenue.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), The Senior needed approximately $2,625,000 to break even. The film surpassed this threshold by $1,855,301.
Return on Investment (ROI)
Revenue: $4,480,301 Budget: $1,050,000 Net: $3,430,301 ROI: 326.7%
Profitability Assessment
VERDICT: Highly Profitable
The Senior was a clear financial success, generating $4,480,301 worldwide against a $1,050,000 production budget — a 327% ROI. After estimated marketing costs, the film still delivered substantial profit to Wayfarer Studios.
INDUSTRY IMPACT
The outsized success of The Senior likely influenced studio greenlight decisions for similar drama projects.
PRODUCTION NOTES
▸ Production
The film was shot at Scarborough-Handley Field stadium in the Historic Handley neighborhood in Fort Worth, Texas. In March 2022, it was announced that filming wrapped.
AWARDS & RECOGNITION
Summary: N/A
CRITICAL RECEPTION
Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.
Nell Minow of RogerEbert.com awarded the film three stars out of four. Alan Ng of Film Threat rated the film a 7.5 out of 10. Julian Roman of MovieWeb awarded the film three stars out of five.
Frank Scheck of The Hollywood Reporter gave the film a positive review and wrote, "… the familiar beats are hammered so skillfully you don’t mind the manipulation. And although you may be shocked, shocked, to learn that the film takes some liberties with the truth, they’re not so egregious as to diminish its overall impact."
Owen Gleiberman of Variety also gave the film a positive review and wrote, “It’s basically a soft-hearted paint-by-numbers TV-movie, stocked with homilies about the game of football vs. the game of life. Yet it’s an effective soft-hearted paint-by-numbers TV-movie.”









































































































































































































































































































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