
The Outfit
Synopsis
Leonard (Mark Rylance), a master English tailor who's ended up in Chicago, operates a corner tailor shop with his assistant (Zoey Deutch) where he makes beautiful clothes for the only people around who can afford them: a family of vicious gangsters. One night, two killers (Dylan O'Brien, Johnny Flynn) knock on his door in need of a favor - And Leonard is thrust onto the board in a deadly game of deception and murder.
Production Budget Analysis
What was the production budget for The Outfit?
Directed by Graham Moore, with Mark Rylance, Zoey Deutch, Johnny Flynn leading the cast, The Outfit was produced by Focus Features with a confirmed budget of $5,000,000, placing it in the micro-budget category for crime films.
At $5,000,000, The Outfit was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $12,500,000.
Budget Comparison — Similar Productions
• Come and See (1985): Budget $5,000,000 | Gross $20,929,648 → ROI: 319% • Cinema Paradiso (1988): Budget $5,000,000 | Gross $35,962,062 → ROI: 619% • Mishima: A Life in Four Chapters (1985): Budget $5,000,000 | Gross $502,758 → ROI: -90% • Once Upon a Time in the West (1968): Budget $5,000,000 | Gross $5,380,118 → ROI: 8% • A Separation (2011): Budget $5,000,000 | Gross $24,426,169 → ROI: 389%
Key Budget Allocation Categories
▸ Talent & Director Compensation Thrillers depend on compelling lead performances to sustain tension, making cast compensation a primary budget concern. Directors with proven thriller credentials command premium fees.
▸ Cinematography & Location Photography Thriller aesthetics demand specific visual languages — surveillance-style photography, claustrophobic framing, or expansive location work across multiple cities or countries.
▸ Editorial & Sound Post-Production Precision editing — controlling information flow, building suspense through pacing, and orchestrating reveals — requires extended post-production schedules.
Key Production Personnel
CAST: Mark Rylance, Zoey Deutch, Johnny Flynn, Dylan O'Brien, Simon Russell Beale Key roles: Mark Rylance as Leonard Burling; Zoey Deutch as Mable Shaun; Johnny Flynn as Francis; Dylan O'Brien as Richie Boyle
DIRECTOR: Graham Moore CINEMATOGRAPHY: Dick Pope MUSIC: Alexandre Desplat EDITING: William Goldenberg PRODUCTION: Focus Features, FilmNation Entertainment, Unified Theory, Scoop Productions FILMED IN: United Kingdom, United States of America
Box Office Performance
The Outfit earned $3,344,040 domestically and $655,960 internationally, for a worldwide total of $4,000,000. The film skewed heavily domestic (84%), suggesting strong North American appeal.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), The Outfit needed approximately $12,500,000 to break even. The film fell $8,500,000 short in theatrical revenue. Ancillary streams (home media, streaming, TV) may have bridged the gap.
Return on Investment (ROI)
Revenue: $4,000,000 Budget: $5,000,000 Net: $-1,000,000 ROI: -20.0%
Profitability Assessment
VERDICT: Unprofitable (Theatrical)
The Outfit earned $4,000,000 against a $5,000,000 budget (-20% ROI), falling short of theatrical profitability. Ancillary revenue may have reduced the deficit.
INDUSTRY IMPACT
PRODUCTION NOTES
▸ Production
The Outfit is the directorial debut of Graham Moore. It was written by Moore and Johnathan McClain, and produced by FilmNation Entertainment. The film was announced in January 2021. In February, Focus Features pre-bought the distribution rights, and Mark Rylance, Zoey Deutch, Dylan O'Brien, and Johnny Flynn joined the cast. In April, Simon Russell Beale and Nikki Amuka-Bird were added to the cast. Principal photography began on March 5, 2021 at Troubadour Wembley Park Theatre near London, England, with cinematographer Dick Pope.
AWARDS & RECOGNITION
Summary: 1 win & 5 nominations total
CRITICAL RECEPTION
Audiences polled by PostTrak gave the film a 74% positive score, with 55% saying they would definitely recommend it. Deadline Hollywoods Pete Hammond said Moore had "crafted a literate and thrilling gangster picture that brings a fresh touch to a well-worn genre".









































































































































































































































































































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