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The Gorge movie poster

The Gorge

PG-13Romance, Science Fiction, Thriller
Budget$70M

Synopsis

Two operatives are appointed to posts in guard towers on opposite sides of a classified gorge.

Production Budget Analysis

What was the production budget for The Gorge?

Directed by Scott Derrickson, with Miles Teller, Anya Taylor-Joy, Sigourney Weaver leading the cast, The Gorge was produced by Skydance Media with a confirmed budget of $70,000,000, placing it in the mid-budget category for romance films.

With a $70,000,000 budget, The Gorge sits in the mid-range of studio releases. Marketing costs for a wide release at this level typically add $30–60 million, putting the break-even point near $175,000,000.

Budget Comparison — Similar Productions

• A Civil Action (1998): Budget $70,000,000 | Gross $56,709,981 → ROI: -19% • Babylon A.D. (2008): Budget $70,000,000 | Gross $72,109,200 → ROI: 3% • Beowulf (2007): Budget $70,000,000 | Gross $195,735,876 → ROI: 180% • Couples Retreat (2009): Budget $70,000,000 | Gross $171,844,840 → ROI: 145% • Dudley Do-Right (1999): Budget $70,000,000 | Gross $10,000,000 → ROI: -86%

Key Budget Allocation Categories

▸ Lead Cast Compensation Romantic films depend entirely on the chemistry and appeal of their leads, making star casting decisions the most consequential budget item.

▸ Location Filming Picturesque, often international locations are central to the romantic genre's visual appeal.

▸ Music Supervision & Soundtrack Iconic songs can cost $250,000–500,000 to license per use, and a well-curated soundtrack is often as important to marketing as the trailer itself.

Key Production Personnel

CAST: Miles Teller, Anya Taylor-Joy, Sigourney Weaver, Ṣọpẹ́ Dìrísù, William Houston Key roles: Miles Teller as Levi; Anya Taylor-Joy as Drasa; Sigourney Weaver as Bartholomew; Ṣọpẹ́ Dìrísù as J.D.

DIRECTOR: Scott Derrickson CINEMATOGRAPHY: Dan Laustsen MUSIC: Trent Reznor, Atticus Ross EDITING: Frédéric Thoraval PRODUCTION: Skydance Media, Crooked Highway, Apple Studios FILMED IN: United States of America

Box Office Performance

Theatrical box office data is not publicly available for The Gorge (2025). This may indicate a limited release, direct-to-streaming, or a release predating modern box office tracking.

Profitability Assessment

Insufficient publicly available data to assess profitability.

INDUSTRY IMPACT

PRODUCTION NOTES

▸ Production

Zach Dean wrote a spec script for The Gorge that was later voted onto the Black List of the most-liked unproduced screenplays in 2020. In March 2022, Scott Derrickson was set to direct and produce the film alongside Skydance Media. In August, Miles Teller was cast to star, as well as serve as an executive producer. In October, Anya Taylor-Joy joined the cast, and Apple Original Films signed on. Sigourney Weaver was added to the cast in March 2023.

The film includes a scene where the characters bond across the gorge, with the two playing chess and banging on improvised drum sets, recalling breakout roles of the actors: Taylor-Joy as a chess prodigy in The Queen's Gambit (2020) and Teller as a drummer in Whiplash (2014). Teller and Taylor-Joy have said that the scenes were written before they were cast, that they felt the scenes were a bit on the nose and tried to get them changed, and that Derrickson insisted the scene remain.

Filming began in March 2023 in London, with production at Warner Bros. Studios, Leavesden, where the tower interiors were built on a stage. The Rauma River in Norway served as the location for the forest and gorge exteriors, while Llandudno in Wales stood in for Èze in France. Visual effects were done by DNEG and Framestore with production VFX supervisor Erik Norby. Trent Reznor and Atticus Ross composed the score.

AWARDS & RECOGNITION

Summary: Nominated for 2 Primetime Emmys. 11 nominations total

Additional Recognition: ! scope="col" | Award ! scope="col" | Date of ceremony ! scope="col" | Category ! scope="col" | Recipient(s) ! scope="col" | Result ! scope="col" class="unsortable" |

! scope="row" rowspan=4 | Astra TV Awards

! scope="row" | Critics' Choice Super Awards

! rowspan=2 scope="row" | Primetime Creative Arts Emmy Awards

! scope="row" | Critics' Choice Television Awards

! scope="rowgroup" |Visual Effects Society Awards

CRITICAL RECEPTION

Glenn Kenny of The New York Times gave The Gorge a positive review, saying: "The Gorge takes an already implausible premise and then catapults it out of the espionage genre and into science-fiction and horror ... this movie crackles most as a lively pas de deux between Taylor-Joy and Teller, who commendably take their material seriously no matter how seriously ridiculous it gets." The Daily Telegraphs Tim Robey gave it four out of five stars, writing: "What The Gorge does supply is a novel science-fiction premise and some captivating bursts of suspense. There was potential for this mysterious action romp to be something more special – a keeper, even. But we'll take what we can get". IGNs A. A. Dowd gave it a score of seven out of ten, saying: "Even when The Gorge disappears into generic run-and-shoot action, it benefits from the colorful confidence of Derrickson's staging and a '50s-inflected sci-fi score from Trent Reznor and Atticus Ross."

Jack Coyle of the Associated Press gave the film one and a half stars out of four, calling it "preposterous", arguing that the tonal swings between action and romance were not of high quality, with the movie feeling like an "intriguing but empty genre mash-up and streaming-only exercise". Coyle also took issue with the basic structure of the plot, arguing that "If some version of hell was pried open, would we, perhaps, want more than two guards?" The Guardians Benjamin Lee gave it two out of five stars, writing: "Despite looking like it was based on a video game that your younger brother obsessively plays, The Gorge is in fact an original, or whatever that word means when the plot and aesthetic feel like they've been stitched together from so many other films." Samantha Puc of The Mary Sue wrote: "Had The Gorge stuck more strictly to the romance, it would overall be a much better film.

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