The Big Sick

Production Budget Analysis

What was the production budget for The Big Sick?

Directed by Michael Showalter, with Kumail Nanjiani, Zoe Kazan, Holly Hunter leading the cast, The Big Sick was produced by FilmNation Entertainment with a confirmed budget of $5,000,000, placing it in the micro-budget category for comedy films.

At $5,000,000, The Big Sick was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $12,500,000.

Budget Comparison — Similar Productions

• Come and See (1985): Budget $5,000,000 | Gross $20,929,648 → ROI: 319% • Cinema Paradiso (1988): Budget $5,000,000 | Gross $35,962,062 → ROI: 619% • Mishima: A Life in Four Chapters (1985): Budget $5,000,000 | Gross $502,758 → ROI: -90% • Once Upon a Time in the West (1968): Budget $5,000,000 | Gross $5,380,118 → ROI: 8% • A Separation (2011): Budget $5,000,000 | Gross $24,426,169 → ROI: 389%

Key Budget Allocation Categories

▸ Talent Salaries & Producing Deals Established comedic talent can command $15–20 million per film, with top-tier stars earning even more through producing credits and backend deals. Comedy ensembles multiply this cost across several well-known performers.

▸ Production & Location Filming While comedies generally avoid the VFX costs of action films, location shooting in recognizable cities or exotic locales adds meaningful production expense.

▸ Marketing & P&A (Prints & Advertising) Comedies rely heavily on marketing to build opening-weekend momentum. Studios typically spend 50–100% of the production budget on marketing, with comedy trailers and social media campaigns being particularly expensive.

Key Production Personnel

CAST: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher Key roles: Kumail Nanjiani as Kumail Nanjiani; Zoe Kazan as Emily Gardner; Holly Hunter as Beth Gardner; Ray Romano as Terry Gardner

DIRECTOR: Michael Showalter CINEMATOGRAPHY: Brian Burgoyne MUSIC: Michael Andrews EDITING: Robert Nassau PRODUCTION: FilmNation Entertainment, Apatow Productions, Story Ink FILMED IN: United States of America

Box Office Performance

The Big Sick earned $56,303,596 in worldwide box office revenue.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), The Big Sick needed approximately $12,500,000 to break even. The film surpassed this threshold by $43,803,596.

Return on Investment (ROI)

Revenue: $56,303,596 Budget: $5,000,000 Net: $51,303,596 ROI: 1026.1%

Profitability Assessment

VERDICT: Highly Profitable

The Big Sick was a clear financial success, generating $56,303,596 worldwide against a $5,000,000 production budget — a 1026% ROI. After estimated marketing costs, the film still delivered substantial profit to FilmNation Entertainment.

INDUSTRY IMPACT

The outsized success of The Big Sick likely influenced studio greenlight decisions for similar comedy projects.

PRODUCTION NOTES

▸ Writing

The screenplay for The Big Sick is written by Emily V. Gordon and her husband Kumail Nanjiani and is loosely based on the real-life courtship between them before their marriage in 2007. According to Nanjiani, the idea to make a script about them was first inspired by the film's eventual co-producer Judd Apatow when the two met while appearing in a 2012 episode of the You Made It Weird podcast. Developed over the course of three years, the script has been called semi-autobiographical because, in addition to the two lead characters modeled after them, many of the events occurring during Gordon and Nanjiani's relationship are noted as being portrayed to an extent in the film.

Though not part of the original script, a real-life incident involving Holly Hunter heckling an unnamed player during a US Open tennis match inspired a similar scene in the film where Nanjiani's character is heckled during one of his stand-up sets.

▸ Casting

In February 2016, Zoe Kazan joined the cast, along with Holly Hunter and Ray Romano in April 2016. Unlike many of the other portrayals in The Big Sick, Romano's and Hunter's roles in the film were not modeled after Emily V. Gordon's actual parents. Instead, Hunter said that she never contacted or spoke with Gordon's mother before playing the part, as she wanted to "feel my own freedom with the character". In May 2016, Aidy Bryant, Bo Burnham, Adeel Akhtar and Kurt Braunohler also joined the cast of the film. David Alan Grier was cast in The Big Sick after he met with Gordon when she was a writer for The Carmichael Show. Grier's role was part of a larger subplot that was ultimately cut from the film's release.

Anupam Kher's casting in the film was reported in June 2016. He was directly contacted by Kumail Nanjiani, as Nanjiani's father had recommended Kher play the role. According to Kher, his character's last scene in the film was the first scene he had filmed for the production. The Big Sick marks Kher's 500th appearance in a feature film.

AWARDS & RECOGNITION

Nominations: ○ Academy Award for Best Writing, Original Screenplay (90th Academy Awards)

Additional Recognition: According to a poll conducted by AwardsDaily in July 2017, polling one hundred critics, The Big Sick was voted the second best film of 2017 so far, behind Get Out.

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CRITICAL RECEPTION

On review aggregator Rotten Tomatoes, the film holds an approval rating of 98% based on 303 reviews, with an average rating of 8.30/10. The site's critical consensus reads, "Funny, heartfelt, and intelligent, The Big Sick uses its appealing leads and cross-cultural themes to prove the standard romcom formula still has some fresh angles left to explore." It was rated as Rotten Tomatoes' #1 summer movie of 2017. On Metacritic, the film received an average score of 86 out of 100, based on 47 critics, indicating "universal acclaim". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Richard Roeper of the Chicago Sun-Times praised the film: "It is funny and smart and wise and silly, it is romantic and sweet and just cynical enough, and it is without a doubt one of the best romantic comedies I have seen in a long time." The Big Sick was also selected as an "NYT Critic's Pick" by Manohla Dargis of The New York Times. In her review, Dargis praised Michael Showalter's direction and the screenplay by Emily V. Gordon and Kumail Nanjiani for "revitalizing an often moribund subgenre with a true story of love, death and the everyday comedy of being a 21st-century American."

While praising the lead performances, Robbie Collin of The Daily Telegraph wrote a mixed review for The Big Sick. Collin contends that director Showalter "never comes close to dampening down its leading couple's inextinguishable appeal." In a negative review for The New Yorker, Richard Brody wrote that the film "suffers from an excess of pleasantness, and this very pleasantness thins out its substance, blands out its tone, weakens its comedy."