
Shithouse
Synopsis
Among thousands of kids trying their best to make college work, Alex feels alone and depressed. Home is 1500 miles away and he's struggling to find a reason not to go back. Maggie, Alex's sophomore RA, has been crushing college since day one. Today though, Maggie is dealt an unexpected loss. After a party at Shithouse, Maggie wants some company and finds it in Alex. Two young people raised in very different households, Alex and Maggie challenge each other and grow up together.
Production Budget Analysis
What was the production budget for Shithouse?
Directed by Cooper Raiff, with Cooper Raiff, Dylan Gelula, Amy Landecker leading the cast, Shithouse was produced by CMR Productions with a confirmed budget of $80,000, placing it in the ultra-low-budget category for comedy films.
At $80,000, Shithouse was produced on a lean budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $200,000.
Budget Comparison — Similar Productions
• The Wretched (2019): Budget $66,000 | Gross $4,369,493 → ROI: 6520% • Punishment Park (1971): Budget $95,000 | Gross N/A • The Blair Witch Project (1999): Budget $60,000 | Gross $248,639,099 → ROI: 414298% • Winnie the Pooh: Blood and Honey (2023): Budget $100,000 | Gross $7,717,044 → ROI: 7617% • Host (2020): Budget $100,000 | Gross $443,807 → ROI: 344%
Key Budget Allocation Categories
▸ Talent Salaries & Producing Deals Established comedic talent can command $15–20 million per film, with top-tier stars earning even more through producing credits and backend deals. Comedy ensembles multiply this cost across several well-known performers.
▸ Production & Location Filming While comedies generally avoid the VFX costs of action films, location shooting in recognizable cities or exotic locales adds meaningful production expense.
▸ Marketing & P&A (Prints & Advertising) Comedies rely heavily on marketing to build opening-weekend momentum. Studios typically spend 50–100% of the production budget on marketing, with comedy trailers and social media campaigns being particularly expensive.
Key Production Personnel
CAST: Cooper Raiff, Dylan Gelula, Amy Landecker, Logan Miller, Olivia Scott Welch Key roles: Cooper Raiff as Alex Malmquist; Dylan Gelula as Maggie Hill; Amy Landecker as Mom; Logan Miller as Sam
DIRECTOR: Cooper Raiff CINEMATOGRAPHY: Rachel Klein MUSIC: Jack Kraus EDITING: Autumn Dea, Cooper Raiff PRODUCTION: CMR Productions FILMED IN: United States of America
Box Office Performance
Shithouse earned $18,370 domestically, for a worldwide total of $18,370. The film skewed heavily domestic (100%), suggesting strong North American appeal.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Shithouse needed approximately $200,000 to break even. The film fell $181,630 short in theatrical revenue. Ancillary streams (home media, streaming, TV) may have bridged the gap.
Return on Investment (ROI)
Revenue: $18,370 Budget: $80,000 Net: $-61,630 ROI: -77.0%
Profitability Assessment
VERDICT: Unprofitable (Theatrical)
Shithouse earned $18,370 against a $80,000 budget (-77% ROI), falling short of theatrical profitability. Ancillary revenue may have reduced the deficit.
INDUSTRY IMPACT
The underperformance may have increased risk aversion around ultra-low-budget comedy productions.
AWARDS & RECOGNITION
Summary: 3 wins & 4 nominations total









































































































































































































































































































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