
Maze Runner The Death Cure
Synopsis
In the epic finale to The Maze Runner Saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary last city, a WCKD controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get the answers to the questions the Gladers have been asking since they first arrived in the maze. Will Thomas and the crew make it out alive? Or will Ava Paige get her way?
Production Budget Analysis
What was the production budget for Maze Runner: The Death Cure?
Directed by Wes Ball, with Dylan O'Brien, Kaya Scodelario, Thomas Brodie-Sangster leading the cast, Maze Runner: The Death Cure was produced by The Gotham Group with a confirmed budget of $62,000,000, placing it in the mid-budget category for science fiction films as part of the The Maze Runner Collection.
With a $62,000,000 budget, Maze Runner: The Death Cure sits in the mid-range of studio releases. Marketing costs for a wide release at this level typically add $30–60 million, putting the break-even point near $155,000,000.
Budget Comparison — Similar Productions
• 3000 Miles to Graceland (2001): Budget $62,000,000 | Gross $18,720,175 → ROI: -70% • 2 Guns (2013): Budget $61,000,000 | Gross $131,940,411 → ROI: 116% • Gone Girl (2014): Budget $61,000,000 | Gross $370,890,259 → ROI: 508% • The Mermaid (2016): Budget $60,720,000 | Gross $553,810,228 → ROI: 812% • 15 Minutes (2001): Budget $60,000,000 | Gross $56,359,980 → ROI: -6%
Key Budget Allocation Categories
▸ Visual Effects & CGI Pipeline Sci-fi films are among the most VFX-intensive productions in Hollywood. Creating photorealistic alien worlds, spacecraft, creatures, and futuristic environments requires hundreds of VFX artists working for months, often at multiple studios simultaneously. VFX budgets for major sci-fi films regularly exceed $50–100 million.
▸ Production Design & World-Building Creating a believable sci-fi world required significant investment in set construction, prop fabrication, and conceptual design — from physical environments through LED volume stages and virtual production technology.
▸ Technology & Camera Systems Cutting-edge camera rigs, motion capture stages, LED volume stages (virtual production), and proprietary rendering technology often push the technical budget far beyond conventional filming costs.
Key Production Personnel
CAST: Dylan O'Brien, Kaya Scodelario, Thomas Brodie-Sangster, Ki Hong Lee, Dexter Darden Key roles: Dylan O'Brien as Thomas; Kaya Scodelario as Teresa Agnes; Thomas Brodie-Sangster as Newt; Ki Hong Lee as Minho
DIRECTOR: Wes Ball CINEMATOGRAPHY: Gyula Pados MUSIC: John Paesano EDITING: Dan Zimmerman PRODUCTION: The Gotham Group, Temple Hill Entertainment, 20th Century Fox, Oddball Entertainment, TSG Entertainment FILMED IN: United States of America
Box Office Performance
Maze Runner: The Death Cure earned $58,032,443 domestically and $230,142,892 internationally, for a worldwide total of $288,175,335. International markets drove the majority of revenue (80%), indicating strong global appeal.
Break-Even Analysis
Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Maze Runner: The Death Cure needed approximately $155,000,000 to break even. The film surpassed this threshold by $133,175,335.
Return on Investment (ROI)
Revenue: $288,175,335 Budget: $62,000,000 Net: $226,175,335 ROI: 364.8%
Profitability Assessment
VERDICT: Highly Profitable
Maze Runner: The Death Cure was a clear financial success, generating $288,175,335 worldwide against a $62,000,000 production budget — a 365% ROI. After estimated marketing costs, the film still delivered substantial profit to The Gotham Group.
INDUSTRY IMPACT
Franchise: Maze Runner: The Death Cure is part of the The Maze Runner Collection.
The outsized success of Maze Runner: The Death Cure likely influenced studio greenlight decisions for similar science fiction projects.
PRODUCTION NOTES
▸ Filming & Locations
Principal photography began on March 14, 2016, in Vancouver, British Columbia. Previously it was revealed at San Diego Comic-Con that filming would begin in February 2016.
On March 18, 2016, it was reported that actor Dylan O'Brien had been hospitalized for injuries sustained on set during filming. James Dashner announced via Twitter that the production had been postponed after the accident. Producers were reported to be "looking to" resume filming around mid-May. According to the Directors Guild of Canada's production list, the film was scheduled to resume filming on May 9, and complete principal photography on July 26. However, on April 29, 2016, production was shut down indefinitely as O'Brien's injuries were revealed to be more serious than previously thought.
Filming resumed on March 6, 2017, in Cape Town, South Africa. In May 2017, it was announced that Walton Goggins would play the part of Lawrence, described as "an unusual and dangerous character who is part-revolutionary, part-anarchist, and a voice for the voiceless people." Principal photography wrapped on June 3, 2017.
[Filming] Principal photography began on March 14, 2016, in Vancouver, British Columbia. Previously it was revealed at San Diego Comic-Con that filming would begin in February 2016.
On March 18, 2016, it was reported that actor Dylan O'Brien had been hospitalized for injuries sustained on set during filming. James Dashner announced via Twitter that the production had been postponed after the accident. Producers were reported to be "looking to" resume filming around mid-May. According to the Directors Guild of Canada's production list, the film was scheduled to resume filming on May 9, and complete principal photography on July 26. However, on April 29, 2016, production was shut down indefinitely as O'Brien's injuries were revealed to be more serious than previously thought.
Filming resumed on March 6, 2017, in Cape Town, South Africa.
▸ Visual Effects & Design
The visual effects were provided by Weta Digital and supervised by Chris White.
AWARDS & RECOGNITION
Summary: 7 nominations total
CRITICAL RECEPTION
On review aggregator Rotten Tomatoes, the film has an approval rating of based on reviews, and an average rating of . The website's critical consensus reads, "Maze Runner: The Death Cure may offer closure to fans of the franchise, but for anyone who hasn't already been hooked, this bloated final installment is best left unseen." On Metacritic, the film has a weighted average score of 50 out of 100, based on 38 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.









































































































































































































































































































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