
Kumbalangi Nights
Synopsis
The film revolves around four brothers who share a love-hate relationship with each other. Franky's elder brothers, Saji, Bobby and Bony lead a messed up life with their downright arrogance, differences, and disagreements with each other. Each one deals with the struggle of his own. Their relationship progresses to another level when Saji, Boney, and Franky decide to help Bobby stand by his love. Franky's wish for a beautiful home cuddles hope.
Production Budget Analysis
The production budget for Kumbalangi Nights (2019) has not been publicly disclosed.
CAST: Shane Nigam, Soubin Shahir, Sreenath Bhasi, Mathew Thomas, Fahadh Faasil, Anna Ben DIRECTOR: Madhu C. Narayanan CINEMATOGRAPHY: Shyju Khalid MUSIC: Sushin Shyam PRODUCTION: Fahadh Faasil and Friends Private Limited, Working Class Hero, Bhavana Studios
Box Office Performance
Theatrical box office data is not publicly available for Kumbalangi Nights (2019). This may indicate a limited release, direct-to-streaming, or a release predating modern box office tracking.
Profitability Assessment
Insufficient publicly available data to assess profitability.
INDUSTRY IMPACT
PRODUCTION NOTES
▸ Casting
Fahadh Faasil played the brother-in-law of Baby who firmly opposed to the relationship between Baby and Bobby and ultimately goes to extreme measures to prevent them from being together. Through the character, director Madhu aimed to depict the misogyny and toxic masculinity that passes for heroism in Kerala. He turns his life around for the girl he falls in love with. In an interview, he said that he lived like his character for around three months to the point that he found it difficult to recognise himself after the filming was done, and struggled to move on to his next role, in the 2019 film Ishq.
Soubin Shahir was approached to play the role of Saji even before his breakthrough performance in Sudani from Nigeria (2018) for which he earned a State Film Award. The oldest brother after Saji, Bonny is a mute who falls in love with an American woman who comes to Kumbalangi as a tourist. Bhasi described his character as "the grounded big brother" of the family. Mathew Thomas, a debut actor, was cast for the role after he was shortlisted from an audition held at his school. For the role of Franky, the youngest brother, he spent six months with the film crew in Kumbalangi, during which he learnt to cook, row boats, cast fishing nets and play football in the forward position. She said she found it easy to identify with her character, explaining: "[Baby] is modern and traditional simultaneously, rooted, with her own point-of-view ... her clarity of thought, views on religion, and dialogues were all relatable. She sticks to her opinion, but isn't arrogant." As her character was older to her, Grace said she imitated the mannerisms and body language of her mother and other housewives she observed for her performance.
▸ Filming & Locations
Dileesh Pothan, who had directed Thondimuthalum Driksakshiyum, offered to produce the film during an ad shoot with Madhu. The film ended up being the debut production of Syam's and Pothan's newly formed production house, Working Class Hero. Meanwhile, Syam discussed the film and the character of Shammi with actor Fahadh Faasil while they were working on Maheshinte Prathikaaram (2016). Fahadh, who found the character "very layered and complicated", agreed to the part. Subsequently, he also decided to co-produce the film under the banner of Fahadh Faasil & Friends, the production company that he owned with his wife, actress Nazriya Nazim. He explained his decision to co-produce the film, saying, "Meeting producers, convincing them, budgeting and more, takes a lot of time. I didn't want to go through any of that drill. Working with Syam [Syam], Dileesh [Pothan] and the like is a fun experience and it's very dear to me, so I also wanted to give it my all."
Once the script and main cast were finalised, Madhu rented a house in Kumbalangi and stayed there over a year to learn more about the place and local culture, leaving just two days before the shooting began. Many of the supporting actors were chosen during auditions held in the village itself. The four brothers’ house in the film was a set, built based on pictures of the interiors of different homes in the area. In order to give it a lived-in look, the crew collected used items and furniture from local households in exchange for fresh replacements. The algae in the surrounding water bodies were grown by the crew, a process which took 10 to 15 days. The film also used special effects to recreate the bioluminescence caused by sea sparkle, often sighted in Kumbalangi's water bodies. The film graded using DaVinci Resolve. Filming began in early September 2018.
▸ Music & Score
The film's soundtrack album and score was composed by music director Sushin Shyam, who also contributed vocals to three of its songs. The Malayalam lyrics on the album were penned by writers Anwar Ali and Vinayak Sasikumar, and the English lyrics by Shyam's bandmate, Nezer Ahemed. The album was launched on 21 January 2019 by Bhavana Studios. The song "Silent Cat", which in the movie is shown as a love song by an American tourist, was sung by German-based artist Kezia Quental, also known as K.Zia.
In an interview, Sushin Shyam said that he was influenced by Italian music while making the album, owing to the similarities he found between the city of Venice, and Kumbalangi. He also revealed that working on the soundtrack was a challenge, explaining: "With a film of this nature, it was quite difficult to take a call on where to place the songs. Naturally, you become a little concerned about your music affecting the mood of the film or people not responding to it well." The songs went through several improvisations to accommodate the changes in the script. The soundtrack received generally positive reviews from critics, appreciating Shyam for his work.
AWARDS & RECOGNITION
Summary: 13 wins & 11 nominations total
Additional Recognition: ! scope="col"| Award ! scope="col"| Date of ceremony ! scope="col"| Category ! scope="col"| Recipient(s) ! scope="col"| Result ! scope="col" class="unsortable"|
! scope="row"| Aravindan Puraskaram
! scope="row" rowspan="3"| Asianet Film Awards
! scope="row" rowspan="7"| CPC Cine Awards
! scope="row"| Film Critics Circle of India
! scope="row"| Gollapudi Srinivas National Award
! scope="row"| International Film Festival of Kerala
! scope="row" rowspan="4"| Kerala State Film Awards
! scope="row"| Padmarajan Award
! rowspan="12" scope="row" |South Indian International Movie Awards
! scope="row" rowspan="6"| Vanitha Film Awards
CRITICAL RECEPTION
The film received highly positive reviews from critics, who praised its script, cinematography, and acting performances, in particular that of Fahadh and Soubin. The film appeared on many year-end and decade-end lists as one of the best Malayalam films of 2019 and the 2010s by several publications such as The Hindu, Mathrubhumi, and HuffPost India.
In a review for The Indian Express, G. Pramod Kumar called it "a subtle, but lucid and vivid poem about abandonment and redemption of human lives [...] The importance of love within the family, the brutality of patriarchy that even an eccentric man can exert, and the healing power of human touch and compassion are vividly depicted by both the writer Syam Pushakaran and director Madhu C. Narayanan." Writing for Cinema Express, Sajin Shrijith lauded the film as "one of those brilliantly written, once-in-a-blue-moon films that scores in every department ... Kumbalangi Nights is not being liberal just for the sake of it—it doesn't shove its progressive ideas down our throats. It doesn't preach; it simply shows." S. R. Praveen of The Hindu concurred, writing: "Madhu. C. Madhu has the cushion of Syam Pushkaran's perceptive and subtle writing for his directorial debut; even so he makes a mark of his own, helming the beautiful coming together of all the elements that make this film what it is." The Week's Sarath Ramesh Kuniyl agreed, rating the movie 4 stars out of 5 and deeming it "a rare gem" and a "must watch".
A negative review came from film critic C. S.









































































































































































































































































































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