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Hereditary movie poster

Hereditary

RHorror, Mystery, Thriller
Budget$10M
Domestic Box Office$44.1M
Worldwide Box Office$87.8M

Synopsis

When her mentally ill mother passes away, Annie (Toni Collette), her husband (Gabriel Byrne), son (Alex Wolff), and daughter (Milly Shapiro) all mourn her loss. The family turn to different means to handle their grief, including Annie and her daughter both flirting with the supernatural. They each begin to have disturbing, otherworldly experiences linked to the sinister secrets and emotional trauma that have been passed through the generations of their family.

Production Budget Analysis

What was the production budget for Hereditary?

Directed by Ari Aster, with Toni Collette, Alex Wolff, Gabriel Byrne leading the cast, Hereditary was produced by PalmStar Media with a confirmed budget of $10,000,000, placing it in the low-budget category for horror films.

At $10,000,000, Hereditary was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $25,000,000.

Budget Comparison — Similar Productions

• By the Sea (2015): Budget $10,000,000 | Gross $3,727,746 → ROI: -63% • Eye for an Eye (2025): Budget $10,000,000 | Gross N/A • Goal! (2005): Budget $10,000,000 | Gross $27,610,873 → ROI: 176% • Phantom (2013): Budget $10,000,000 | Gross $1,197,759 → ROI: -88% • War of the Worlds (2025): Budget $10,000,000 | Gross N/A

Key Budget Allocation Categories

▸ Practical Effects, Prosthetics & Makeup Horror productions invest disproportionately in practical effects — prosthetic applications, animatronics, blood and gore effects, and creature suits. A single hero creature suit can cost $50,000–200,000.

▸ Atmospheric Production Design & Cinematography Creating dread through environment is essential. Abandoned locations must be secured and dressed, lighting rigs designed for shadow and tension, and sets built to enable specific camera movements and reveals.

▸ Sound Design & Score Horror is arguably the most sound-dependent genre. Foley work, ambient textures, frequency manipulation, and jump-scare stingers require specialized sound designers working with unconventional techniques.

Key Production Personnel

CAST: Toni Collette, Alex Wolff, Gabriel Byrne, Milly Shapiro, Ann Dowd Key roles: Toni Collette as Annie Graham; Alex Wolff as Peter Graham; Gabriel Byrne as Steve Graham; Milly Shapiro as Charlie Graham

DIRECTOR: Ari Aster CINEMATOGRAPHY: Pawel Pogorzelski MUSIC: Colin Stetson EDITING: Lucian Johnston, Jennifer Lame PRODUCTION: PalmStar Media, Pulse Films, Finch Entertainment, Windy Hill Pictures FILMED IN: United States of America, United Kingdom

Box Office Performance

Hereditary earned $44,069,456 domestically and $43,726,748 internationally, for a worldwide total of $87,796,204. Revenue was split 50% domestic / 50% international.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Hereditary needed approximately $25,000,000 to break even. The film surpassed this threshold by $62,796,204.

Return on Investment (ROI)

Revenue: $87,796,204 Budget: $10,000,000 Net: $77,796,204 ROI: 778.0%

Profitability Assessment

VERDICT: Highly Profitable

Hereditary was a clear financial success, generating $87,796,204 worldwide against a $10,000,000 production budget — a 778% ROI. After estimated marketing costs, the film still delivered substantial profit to PalmStar Media.

INDUSTRY IMPACT

The outsized success of Hereditary likely influenced studio greenlight decisions for similar horror projects.

PRODUCTION NOTES

▸ Casting

Toni Collette was one of the first actresses Aster sought for the role of Annie Graham. Though she was reluctant to work on a horror film, the script's grounded approach to the genre convinced her to commit to the project and she later said that Aster "just really understood the dynamics in the family, has such an understanding of what it is to be human, what it is to experience loss". After watching Shapiro's audition, Aster was immediately relieved because he had left Charlie's personality more ambiguous than other characters in the script and knew the "chances were slim" that he would find the right actress. Ann Dowd portrays Joan.

▸ Filming & Locations

The film began shooting in Utah in February 2017; the exteriors of the Graham family house and the tree house were shot in Summit County, and the cemetery scene was filmed at Larkin Sunset Gardens in Sandy. The school scenes were shot at West High School and Utah State Fairpark, but all other interiors (including both versions of the treehouse) were built from scratch on a sound stage. Since each room was built on a stage, walls could be removed to shoot scenes at a much greater distance than a practical location would allow, creating the dollhouse aesthetic of the film. Aster later recalled during a Reddit AMA, "Alex Wolff told me not to say the name of William Shakespeare's Scottish play out loud [during filming] because of some superstitious theater legend. I smugly announced the name, and then one of our lights burst during the shooting of the following scene."

[Filming] The film began shooting in Utah in February 2017; the exteriors of the Graham family house and the tree house were shot in Summit County, and the cemetery scene was filmed at Larkin Sunset Gardens in Sandy. The school scenes were shot at West High School and Utah State Fairpark, but all other interiors (including both versions of the treehouse) were built from scratch on a sound stage. Since each room was built on a stage, walls could be removed to shoot scenes at a much greater distance than a practical location would allow, creating the dollhouse aesthetic of the film. Aster later recalled during a Reddit AMA, "Alex Wolff told me not to say the name of William Shakespeare's Scottish play out loud [during filming] because of some superstitious theater legend. I smugly announced the name, and then one of our lights burst during the shooting of the following scene."

▸ Music & Score

The soundtrack was produced by Colin Stetson and Rob Kleiner. Nick Allen of The Hollywood Reporter noted that the score incorporates trumpets during the film's climax, in reference to the mythology of Paimon being heralded by the sounds of trumpets. Judy Collins' 1967 version of Joni Mitchell's "Both Sides, Now" plays during the end credits.

AWARDS & RECOGNITION

Summary: 52 wins & 112 nominations total

Additional Recognition: ! Year !! Organizations !! Category !! Nominee(s) !! Result

CRITICAL RECEPTION

On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 90% based on 385 reviews, and an average rating of 8.3/10. The site's critical consensus reads, "Hereditary uses its classic setup as the framework for a harrowing, uncommonly unsettling horror film whose cold touch lingers long beyond the closing credits." On Metacritic, the film has a weighted average score of 87 out of 100, based on 49 critics, indicating "universal acclaim".

Writing for Rolling Stone, Peter Travers gave the film three and a half out of four and called it the scariest movie of 2018, saying "it's Collette, giving the performance of her career, who takes us inside Annie's breakdown in flesh and spirit and shatters what's left of our nerves. Her tour de force bristles with provocations that for sure will keep you up nights. But first, you'll scream your bloody head off." For The A.V. Club, A.A. Dowd gave the film an A−, stating that, "In its seriousness and hair-raising craftsmanship, Hereditary belongs to a proud genre lineage, a legacy that stretches back to the towering touchstones of American horror, unholy prestige-zeitgeist classics like The Exorcist and Rosemary's Baby. Remarkably, it's a first feature, the auspicious debut of writer-director Ari Aster, whose acclaimed, disturbing short films were all leading, like a tunnel into the underworld, to this bleak vision." Common Sense Media gave the film four out of five and advised that it was suitable for viewers aged 17 or older.

In July 2025, it ranked number 83 on Rolling Stones list of "The 100 Best Movies of the 21st Century" and number 10 on The Hollywood Reporters list of the "25 Best Horror Movies of the 21st Century."

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