
Code 8 Part II
Synopsis
Follows a girl fighting to get justice for her brother who was slain by corrupt police officers. She enlists the help of an ex-con and his former partner to face off against a highly regarded and well-protected police sergeant.
Production Budget Analysis
The production budget for Code 8 Part II (2024) has not been publicly disclosed.
CAST: Robbie Amell, Stephen Amell, Alex Mallari Jr., Sirena Gulamgaus, Aaron Abrams, Moe Jeudy-Lamour DIRECTOR: Jeff Chan CINEMATOGRAPHY: Marie Davignon MUSIC: Ryan Taubert PRODUCTION: XYZ Films, Collective Pictures
Box Office Performance
Theatrical box office data is not publicly available for Code 8 Part II (2024). This may indicate a limited release, direct-to-streaming, or a release predating modern box office tracking.
Profitability Assessment
Insufficient publicly available data to assess profitability.
INDUSTRY IMPACT
Franchise: Code 8 Part II is part of the Code 8 Collection.
PRODUCTION NOTES
▸ Production
The film is a sequel to the 2019 film Code 8 and was also produced/directed by Jeff Chan.
On June 1, 2021, it was announced Robbie Amell and Stephen Amell would produce the sequel and reprise their roles from the original film.
Principal photography was scheduled to begin in Toronto in October 2021. Cast members confirmed filming had begun in November 2021, with Amell teasing the possibility of Code 8: Part III.
Ryan Taubert has returned to score the film sequel.
AWARDS & RECOGNITION
Summary: 2 wins & 5 nominations total
CRITICAL RECEPTION
Marya E. Gates of RogerEbert.com gave the film two and a half out of four stars and wrote, "Unfortunately, where the first film found a healthy balance between its heist plot and the human moments between Connor and his mother, Part II can't seem to find the time to actually sit with these characters so that we care about them and the lives they are trying to lead in spite of all this heavy policing. Every conversation is in service of another plot point here, a piece of exposition there. The cousins do their best to add depth to the proceedings but are just not given enough time to let their characters breathe."
Chan received a nomination for the DGC Award for Best Direction in a Feature Film.









































































































































































































































































































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