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Bros movie poster

Bros

RComedy, Romance
Budget$22M
Domestic Box Office$11.6M
Worldwide Box Office$14.8M

Synopsis

Two men with commitment problems attempt a relationship.

Production Budget Analysis

What was the production budget for Bros?

Directed by Nicholas Stoller, with Billy Eichner, Luke Macfarlane, Guy Branum leading the cast, Bros was produced by Universal Pictures with a confirmed budget of $22,000,000, placing it in the low-budget category for comedy films.

At $22,000,000, Bros was produced on a modest budget. Lower-budget films benefit from reduced break-even thresholds, with profitability achievable at approximately $55,000,000.

Budget Comparison — Similar Productions

• 12 Rounds (2009): Budget $22,000,000 | Gross $17,280,326 → ROI: -21% • Before I Go to Sleep (2014): Budget $22,000,000 | Gross $17,669,776 → ROI: -20% • Dances with Wolves (1990): Budget $22,000,000 | Gross $424,208,848 → ROI: 1828% • Derailed (2005): Budget $22,000,000 | Gross $57,479,076 → ROI: 161% • Deuce Bigalow: European Gigolo (2005): Budget $22,000,000 | Gross $45,109,561 → ROI: 105%

Key Budget Allocation Categories

▸ Talent Salaries & Producing Deals Established comedic talent can command $15–20 million per film, with top-tier stars earning even more through producing credits and backend deals. Comedy ensembles multiply this cost across several well-known performers.

▸ Production & Location Filming While comedies generally avoid the VFX costs of action films, location shooting in recognizable cities or exotic locales adds meaningful production expense.

▸ Marketing & P&A (Prints & Advertising) Comedies rely heavily on marketing to build opening-weekend momentum. Studios typically spend 50–100% of the production budget on marketing, with comedy trailers and social media campaigns being particularly expensive.

Key Production Personnel

CAST: Billy Eichner, Luke Macfarlane, Guy Branum, Miss Lawrence, Ts Madison Key roles: Billy Eichner as Bobby; Luke Macfarlane as Aaron; Guy Branum as Henry; Miss Lawrence as Wanda

DIRECTOR: Nicholas Stoller CINEMATOGRAPHY: Brandon Trost MUSIC: Marc Shaiman EDITING: Daniel Gabbe PRODUCTION: Universal Pictures, Apatow Productions, Stoller Global Solutions FILMED IN: United States of America

Box Office Performance

Bros earned $11,628,165 domestically and $3,153,614 internationally, for a worldwide total of $14,781,779. The film skewed heavily domestic (79%), suggesting strong North American appeal.

Break-Even Analysis

Using the industry-standard 2.5x multiplier (P&A + exhibitor shares of 40–50% + distribution fees), Bros needed approximately $55,000,000 to break even. The film fell $40,218,221 short in theatrical revenue. Ancillary streams (home media, streaming, TV) may have bridged the gap.

Return on Investment (ROI)

Revenue: $14,781,779 Budget: $22,000,000 Net: $-7,218,221 ROI: -32.8%

Profitability Assessment

VERDICT: Unprofitable (Theatrical)

Bros earned $14,781,779 against a $22,000,000 budget (-33% ROI), falling short of theatrical profitability. Ancillary revenue may have reduced the deficit.

INDUSTRY IMPACT

The underperformance may have increased risk aversion around low-budget comedy productions.

PRODUCTION NOTES

▸ Production

On February 5, 2019, it was announced that Billy Eichner would write, executive produce and star in a romantic comedy feature film, directed and co-written by Nick Stoller. Principal photography was set to begin on June 7, 2021, in Buffalo, New York, and Provincetown, Massachusetts. Filming subsequently took place in Manhattan, Jersey City and in downtown Cranford, New Jersey. Stoller previously directed Eichner in Neighbors 2: Sorority Rising, which received praise for its depiction of a gay relationship and positive support from heterosexual cisgender male friends compared to many comedies which used gay panic for laughs.

Most of the cast was revealed on September 23, 2021, and September 30, 2021. Bowen Yang and Harvey Fierstein were revealed to have joined the cast on November 4, 2021. Benito Skinner also joined the cast, though his role was cut from the final film.

The film is a gay romantic comedy from a major studio featuring a predominantly LGBTQ+ principal cast; Debra Messing and Kristin Chenoweth are also in the cast, but in smaller cameo roles, playing themselves. Stoller calls them "allies" of the community.

AWARDS & RECOGNITION

Summary: 2 wins & 16 nominations total

Additional Recognition: ! scope="col" | Award ! scope="col" | Date of ceremony ! scope="col" | Category ! scope="col" | Recipient(s) ! scope="col" | Result ! scope="col" class="unsortable" |

! rowspan="3" scope="row" | Hollywood Music in Media Awards

! scope="row" | Critics' Choice Movie Awards

! scope="row"| Set Decorators Society of America Awards

! scope="row" | Hollywood Critics Association Awards

! scope="row" | GLAAD Media Awards

CRITICAL RECEPTION

On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 88% based on 226 reviews, with an average rating of 7.6/10. The site's critics' consensus reads, "Bros marks a step forward in rom-com representation – and just as importantly, it's a whole bunch of fun to watch." On Metacritic, the film has a weighted average score of 72 out of 100 based on 46 critics, indicating "generally favorable" reviews.

TheWraps Alonso Duralde praised Macfarlane's performance, writing: "Like Bobby, this gay critic's not-so-secret comfort viewing is Hallmark Christmas movies, and I've always enjoyed Macfarlane's work as a charming romantic lead in them, but Bros offers the kind of complexity and shading (to say nothing of humor) that Hallmark never could. Anyone coming into this film only knowing Macfarlane for his cozy cable movies will leave with a new appreciation of this versatile actor's wheelhouse." Marya E. Gates of RogerEbert.com gave the film 2.5 out of 4 stars, writing: "Its perpetual commentary on the mainstreaming of queerness remains at odds with its very desire to tell its story within the Hollywood system." Writing for Consequence, Clint Worthington gave the film a B− and said: "When it focuses on Eichner and Macfarlane, and the ever-complicated mores of queer masculinity, it stays charming and light on its feet. If it were a little less self-conscious about that homonormativity, it'd have a more cohesive identity, and be more of a slam dunk in the process."

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